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DIY: Closing Up (Es-En) by bertrayo

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· @bertrayo ·
$9.59
DIY: Closing Up (Es-En)

![20230118_125309_0000.png](https://files.peakd.com/file/peakd-hive/bertrayo/23ynSX7uqBxuenE5jVxvBm1A3SJpTAGvuSLP3N62wNYHo41wFmqJUPq9WmrbG8yoo6xSM.png)


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<div class="pull-left">

## Saludos y resumen

Buen día, artesanos y amantes de las manualidades. Bienvenidos a otro Miércoles de carpintería. En esta edición, continuaremos con el proceso de este [proyecto](https://peakd.com/hive-130560/@bertrayo/diy-pieces-assemble-es-en). En el capítulo anterior, habíamos doblado los aros para continuar con el proceso de ensamblaje. Hoy, terminaremos de cerrar este instrumento.

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## Greetings and summary

Hi there handcrafters and handcrafts lovers! Welcome back to another Woodworking Wednesday. In this entry, we'll catch up with this [project](https://peakd.com/hive-130560/@bertrayo/diy-pieces-assemble-es-en). Last time we saw it, we had bent the sides to keep the assembling process rolling. Today, we'll close it up!

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### Aros en su lugar

Al tener estás piezas dobladas, solo quedaba ajustarlas poder pegarlas sobre la tapa. Hay dos cortes por hacer. El primero es para el tacón externo. Se tiene que buscar una diagonal que correspondanda a la pieza. Este tacón es más ancho hacia el frente del instrumento. Una vez tenemos este corte, podemos ubicar el aro sobre la tapa para medir el exceso sobre el tacón interno. Este es el segundo corte.

Tenemos que remover este exceso teniendo en cuenta que aquí se van a unir albos aros. La precisión es clave cuando el instrumento no va a llevar ningún adorno en esta parte. Lo bueno es que hay una línea central para realizar el corte. Una vez tenemos marcados ambos aros, los colocamos uno encima del otro para cortar ambos a la vez. Así nos aseguramos de que el corte se hace el espejo y ambas oeizas calcen.

Eso es un pequeño truco aprendido por la experiencia.

Luego de haber terminado estos pasos, podemos pegar los aros en su lugar.

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### Placing the sides

Once we have this pieces bent, it's time to adjust them. We need two cuts. The first one will be for the heel. Since it's wider towards the front of the instrument, we need the sides to have this diagonal cut. When we have it ready, we can place the sides in place and measure them at the end block. That's where we need a second cut to remove the excess material from each side.

By placing the sides, we can measure where we need to cut them to fit on the end block. We have a central line to guide this cut. Once we have all the measuring done, we can proceed to cut them. We'll use a little trick. If we stack the sides, we can make a mirror cut. This means the pieces will fit perfectly at both ends.

That's neat little trick I've learnt from experience!

With all these steps out of the way we can proceed to apply glue and fix the sides ok their place.

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![IMG_20221203_113522.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/EpVD3CvrcwAg6qghBbqcC9kkHrY8ws8nfz2mudRiSytkZk1sxUaKEeBzkgRgkNhoSND.jpg)


![IMG_20221203_114535.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23xpD9aC4dMn4djVsu9RtUmzpSMM6n1VRvEXZMzu1NnoytQ7yUp3WpWHvEumgf9AZTdse.jpg)


|![IMG_20221203_152937.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/EonoQ2ZkghodiY7kntyhdcA6zGLYvvZDjy1E7JEFKbhF4qcCQiSn3Kd8TPxAN7hR1Bn.jpg)|![IMG_20221205_100917.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/Eoc7UTWNyiywhsmjAaKhyRpM6Yd5Vr1MenNyQc9tkfdrX65rnDNPkC7jWKz1Tbuyz8B.jpg)|![IMG_20221203_152950.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/EpCCFabksgCtRJVWVDzVJDB8wF3NQvRafTt3yaseWujKztTgFN1zct3jLNs9aJVccKV.jpg)|
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### Refuerzos

Ahora podemos colocar todos los refuerzos necesarios para asegurar que el instrumento sea resistente. 

Comenzamos por los peones o dientes. Estos ayudan a fijar mejor los aros a la tapa armónica. Se colocan uno a uno tratando de dejar un intervalo regular entre ellos.

Los otros refuerzos son los arillos. Estos se colocan en la parte de arriba y a lo largo de los aros. Así aumentamos la superficie de contacto cuando coloquemos el fondo.

Los últimos son refuerzo extra. Estos han a intervalos regulares a lo ancho de los aros. Esto nos aporta rigidez a lo largo de la pieza. 

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### Reinforcements

It's time to place all the reinforcements. These will ensure a sturdy instrument.

We start with this wood wedges known as kerfing. They help have a wider contact are between the sound board and sides. We place then at regular intervals.

Then, we have another kind of kerfing but in a strip. This goes on the other end of the sides, the one that'll meet the back of the instrument. This will give us a wider contact area as well.

Last but not least, we have some vertical reinforcements for the sides. These also go at regular intervals to stiffen the sides.

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|![IMG_20221205_102025.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23vhyb3AJ2KuhnLysBAZVMwCbDCZvj9ET7AXJ4qZnW6tm2DF6ZL9BHbLfsAvi4XTkD6p8.jpg)|![IMG_20221205_101000.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/EowJ72kD4zanFNSdCEzn7GEPUB1kv3ejNnmtGTvFBUDLnGSDxf6jFg2PL5XB3Sxwat8.jpg)|![IMG_20221205_102721.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23vsSY9WJGZG23Xvxrkqe62KiqpSm3APt6T19iFWcF2bCrcSQbC2NZZDGmEUqULeiLDRq.jpg)|
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|![IMG_20221205_103125.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23vi6PtxRNswD34YhRRiPx2tZip7sjGSskfKnBWHTn3tfMQ94UqBHXxmytjYzc4yuRMYc.jpg)|![IMG_20221205_104448.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23xemgCQmhbjr3UuRPEcvEyrQMQWDzTxLNapQBHckQ3gmaXiwAwDcEegYjLJJWg7Bpuq9.jpg)|![IMG_20221205_115342.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23w2ik2c5o6mPmk4EV9SvzFCJUBjRHgNCwA48jvo3RC3v6gujbM758PfrEzXkzFpvbXXv.jpg)|![IMG_20221205_104916.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23w2kyHkeXHtoSGkcB4GdYdbzbpqw6ctoZbdTd5Ez97BgqLMyKUCvQdMEmq8scxMiVo5d.jpg)|
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### Ajustes finales

Hay algunos ajustes finales necesarios antes de cerrar el instrumento. Priemroz rebajar los aros a la altura de los tacones. Siempre lo hago después de de colocar los arillos porque es probable que la madera se astille si no tiene algún apoyo.

Además, tenemos que cortar el exceso de la barras del fondo. Este quizá sea uno de los procesos más lentos porque hay que cortar un poco y mediar si la pieza calza. Hacemos esto varías veces hasta que el fondo calza como una tapa. Lijamos un poco los aros para tener una superficie plana.

El detalle final es colocar información relevante en la etiqueta y pegarla en su lugar. Nunca hay que olvidarse de identificar nuestras obras.


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### Finishing touch

Before closing up, we need to address a couple of things. First, we need to trim the sides to the height of the heel and end block. We wait until the kerfing is in place so we can do it without chipping away the wood.

Also, it's time to trim the bars of the back of the instrument. This is a slow process since we need to trim only a bit from each one by time. Then, we have to test whether it fits. If it doesn't, we repeat the process until it closes like a lid. We make sure to sand the sides to have an even surface as well.

The last thing is writing a bit of important info on the label and glue it in place. Always remember to identify anything you made with your hands! 

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![IMG_20221206_100353.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23wMWJm5ZHLuqM8pTTLbDzJqpqBjythuSCvPCHPx9BkhaNFmCV7C1q2y9gJjfxBsFvdgN.jpg)

|![IMG_20221206_100339.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23wgKcnJhyKijsfteysjPBqG9WAF268edQsqq9Ytty5hn3qPUNpQW2tyHQsiM9E3NaRSs.jpg)|![IMG_20221206_113416.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23wMWc6b9uqb5d9VG121MRnBhFwZ6RdaQRUJ6FUhSNxjDuhRxpAFeRXQAod1TQYF28bo6.jpg)|![IMG_20221206_113823.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23wMYapKnXSTWA76aSgx8SPEHYXxgb4LsHKYWufpeVD4Qvu3md6Y6aQ1efW4rvDQLSdd3.jpg)|
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### ¡Cerrando!

Después de haber completado todos estos pasos, procedemos a cerrar el instrumento. En mi caso, saco el perno que fija todo a la solera y me dispongo a completar el proceso aparte.

Para cerrar, lo primero es aplicar pegamento sobre los aros y tacones. Luego, colocamos el fondo y lo fijamos en los extremos con prensas. Lo que sigue es utilizar estas tripas de bicicletas para amarrar el fondo y hacer suficiente presión para que la pega haga su trabajo.

Hago énfasis en la parte de "suficiente presión" porque no debe ser un exceso. Si nos excedemos en presión, podemos romper algo y a esta alturas, eso sería una tragedia.

Una vez hayamos amarrado todas las tripas de bicicletas, dejamos que el pegamento seque y así podemos continuar con el proceso en otro momento.

Y con eso terminamos por hoy, pero el proceso continuará en la próxima entrega. ¡Nos veremos allá!

<em>¡Manténganse creativos!</em>

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### Closing it up!

After finishing all these steps, we can finally put the lid of this one. First, we proceed to remove it from the solera mould. The closing process is easier this way.

To close it up, we first need to apply glue on the sides, heel and end block. Then, we place the back on top of them and use clamps to hold it in place. Now, using inner tubes we proceed to tie the back to the instrument making sure to apply enough pressure.

I have to emphasize the notion of "enough pressure". If we apply too much, something will break. And if it does, at this stage, it would be an utter tragedy.

Once we have tied the back, we can let it rest and wait for the glue to dry up. And thus, we have closed it up!

With that we have come to the end of this entry, but the process will continue next time. Be seeing you!

<em>Stay creative!</em>

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![IMG_20221206_113937.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/EowG7AwhTcuQFSCsLwtXh44qC2kggxcyqTKuoQouArJMMpA4eTiWpp67XHgGEAkNb1R.jpg)

![IMG_20221206_115400.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23wMWbBQBUoX5DuCWRjjJsHkU146wPK5rMEJWdUuSfwL6zv2bcW6XLa9Yh43CRDVFsuWX.jpg)




https://images.hive.blog/0x0/https://images.hive.blog/DQmPTLhVNyDnLA1pK3vUcmhgCVCDtvqDiE2TE95zU7V5w5Y/hive%20dividers-11.png

- Fotos/Photos 📷: by me (Redmi Note 8 smartphone).
- Portada/Thumbnail 🖼️: by me, made with Canva.

https://images.hive.blog/0x0/https://images.hive.blog/DQmPTLhVNyDnLA1pK3vUcmhgCVCDtvqDiE2TE95zU7V5w5Y/hive%20dividers-11.png

![Logo grabado en madera.jpg](https://files.peakd.com/file/peakd-hive/bertrayo/23zSQj2AJbb1sDFYr5A14SXTNDhWwhL7uLaEGV5RehyvGfeaVj6PRdeut8GrNDdfNswqD.jpg)

<em>Follow me on [Instagram](https://instagram.com/luthier_andresalvarez?igshid=YmMyMTA2M2Y=) for enquires and commission.

If you'd like to help the workshop grow, you can make a donation [here](https://www.buymeacoffee.com/LuthierAndres).

You can find me at discord as bertrayo#1763</em>

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👍  , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , and 419 others
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vote details (483)
@adalathu ·
Yo tengo una pregunta desde tu post pasado sobre este Cuatro, ¿por qué a las cosas de los costados se les dice aro si no tienen forma de aro? 👀

Tu trabajo, bello como siempre, aunque me hubiera gustado verte trabajar 👀😘
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@bertrayo ·
No lo sé. Muchos de esos nombres son cosas que existen desde quién cuánto tiempo. Hay gente que le dice costillas. Seguro hay muchos más nombres. 

Tengo unos vídeos pendientes por editar sobre todo este trabajo.
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@avdesing ·
Que fabuloso trabajo antes, cuantos detalles a tener en cuenta a la hora de armar todo.

Te queda excelente Andrés!😃
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@bertrayo ·
Sí, todo es un montón de detalles. Me supongo que es como llevar toda la composición de un cuatro en etapas y capas de pintura y no saltarse ningunas pincelada antes de dar la siguiente.
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@avdesing ·
Exactamente, o de un diseño cada capa en el lugar adecuado para que el resultado sea el esperado. Buenas noches.✨
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@chacald.dcymt ·
$0.03
Maravilloso trabajo amigo👏🏼👏🏼
Me encantó ver tu taller y el paso a paso... Tu trabajo es sinónimo de el rescate cultural y eso es invaluable.

🎆🎇🎉🎊🌧️💐✨🌾🌱🌹🌙🌿🍃🥀⚡🌺☘️🍀🌈🌷⭐🪴🌵🌸🌟💮🌴🌳💫☀️💮☔🌲🌳🌍🌌🌠☄️🏵️🐝🌻🌼🍄🐞🦋💙☕💜🍍🎆🎇🎉🎊🎆🎇🎉🎊🌧️💐✨🌾🌱🌹🌙🌿🍃🥀⚡🌺☘️🍀🌈🌷⭐🪴🌵🌸🌟💮🌴🌳💫☀️💮☔🌲🌳🌍🌌🌠☄️🏵️🐝🌻🌼🍄🐞🦋💙☕💜🍍🎆🎇🎉🎊

!PIZZA 
👍  
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vote details (1)
@bertrayo ·
Muchas gracias por tus palabras. Me da gusto saber que se aprecian estas artes y seguir trayendo un poco de la cultura venezolana a la web3.
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@gaboamc2393 ·
Todo un maestro con lo que hace, es genial ver el paso a paso de un instrumento tan bonito como el cuatro. Aqui en mi pueblo no hay muchos que reparen, de hecho no he encontrado alguno. Quiero reparar el mio! 
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@bertrayo ·
Eso es un tema. Tampoco es que muchas personas tomen trabajos de reparación porque suelen ser más difícil que hacer las cosas desde 0. 

Gracias por pasar por mi trabajo y dejar tu comentario.
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@la-colmena ·
<div class=text-justify>

-----

<div class="pull-left">



![La-Colmena-Curie.jpg](https://files.peakd.com/file/peakd-hive/la-colmena/AKREkWhrkvAgwniLz1ZUdzLUM7k7kesvjMiM1yYwX7r3UbtL9n69pq96Mwz4Jb4.png)





</div>

# 
<br>
¡Felicidades! Esta publicación obtuvo *upvote* y fue compartido por **@la-colmena**, un proyecto de **Curación Manual** para la comunidad hispana de **Hive** que cuenta con el respaldo de **@curie**.

Si te gusta el trabajo que hacemos, te invitamos a darle tu voto a este comentario y a votar como testigo por [**La Colmena**](https://vote.hive.uno/@la-colmena). 

Si quieres saber más sobre nuestro proyecto, te invitamos a acompañarnos en  nuestro [servidor de Discord](https://discord.gg/SYwngna).

-----

</div>
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@lunaticanto ·
* Pensando como se va a llevar todo eso a Lechería * 
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@bertrayo ·
No lo pienses mucho. Eso se hace y ya. 😎
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@pizzabot ·
<center>🍕 PIZZA !


I gifted <strong>$PIZZA</strong> slices here:
@chacald.dcymt<sub>(4/5)</sub> tipped @bertrayo (x1)


<sub>Learn more at https://hive.pizza!</sub></center>
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@poshtoken · (edited)
$1.43
https://twitter.com/1548487751594430468/status/1615772145983832073
https://twitter.com/1268416168500527104/status/1615832535686078464
<sub> The rewards earned on this comment will go directly to the people( @bertrayo, @chacald.dcymt ) sharing the post on Twitter as long as they are registered with @poshtoken. Sign up at https://hiveposh.com.</sub>
👍  , ,
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vote details (3)
@rosana6 ·
Nunca dejo de admirarme con la destreza que tienen los fabricantes de instrumentos musicales, ustedes son unos artistas en toda ley. 
Mi respeto y admiración por el gran trabajo.
👏👏👏
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@bertrayo ·
Muchas gracias por tus palabras. Lo interesante es que el oficio es de esas cosas que están en la mitad entre lo funcional y el arte. 
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