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from tears we learn by boxcarblue

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hive-161465 · @boxcarblue ·
$7.48
from tears we learn
<center>
![IMG_9830.jpeg](https://images.hive.blog/DQmTDkbKPwYYkLtwerNL6qGspEKCq96Mm9DgDECWgjvdD3E/IMG_9830.jpeg)
</center>
 
On the other side of convention, what do we find:  liberation, repulsion, excitement, a nervousness, tension, dizziness, relief?
 
The forms and tropes that we work with, what technologies were they born from?
 
How many lines of poetry can you fit on an Instagram post? How many lines of poetry can you fit on a Hive post?
 
What book could have held Danteโ€™s *Inferno* had he written it in one continuous line from left to right, from beginning to end? How many hours of scrolling would it take to read that single line of text if one were reading it on a smartphone today?
 
In Japan, haiku is often written as a single line of poetry, a single line that holds three parts.
 
In the West, haiku is generally written in tercets, three short lines of poetry.
 
Until last week, I had never heard of single-line (mono-stich) haiku being written in the West.
 
Until last week, I had never once considered formatting these tiny poems in single lines.
 
But now that I know they can have a different look and still be accepted as poems, Iโ€™m so excited. I feel like a whole new world of play and possibility has been put in front of me.
 
<center>
![IMG_9831.jpeg](https://images.hive.blog/DQmdhuGJzpa2Jctzz7Lb1XKFogUXE8nYRkrjfyCDhLQo4aa/IMG_9831.jpeg)
</center>
## <center>*Please turn your phone sideways to read them as a single line.*</center>

<br>
 
<center>**(1)**</center>
 
<center>from tears we learn we have known moments without fear sorrow and pain</center>
 
<center>**(2)**</center>
 
<center>if i were a couch the things youโ€™d find hidden under my cushions</center>
 
<center>**(3)**</center>
 
<center>the sound of water rushing splashing dripping pouring what sound do you hear</center>
 
<center>**(4)**</center>
 
<center>*you meant something to me* i tell the fallen apple browning on the ground</center>
 
<center>**(5)**</center>
 
<center>on a dark staircase a narrow beam of sunlight cuts through the shadows</center>
 
<center>**(6)**</center>
 
<center>in a tiny park a pair of swings waits and waits some more</center>
 
<center>**(7)**</center>
 
<center>*how soon they are gone* *never to return* say trees to their leaves</center>
 
<center>
![IMG_9832.jpeg](https://images.hive.blog/DQmRvhJTg5hShnKSveryF2gkWtGddosAGLu1BcC1rxinydK/IMG_9832.jpeg)
</center>
 
## <center>And one more time as tercets. Which format do you prefer?</center>
 
<center>**(1)**</center>
 
<center>from tears we learn
we have known moments without
fear sorrow and pain</center>
 
<center>**(2)**</center>
 
<center>if i were a couch
the things youโ€™d find hidden
under my cushions</center>
 
<center>**(3)**</center>
 
<center>the sound of water
rushing splashing dripping pouring
what sound do you hear</center>
 
<center>**(4)**</center>
 
<center>*you meant something to me*
i tell the fallen apple
browning on the ground</center>
 
<center>**(5)**</center>
 
<center>on a dark staircase
a narrow beam of sunlight
cuts through the shadows</center>
 
<center>**(6)**</center>
 
<center>in a tiny park
a pair of swings waits
and waits some more</center>
 
<center>**(7)**</center>
 
<center>*how soon they are gone*
*never to return*
say trees to their leaves</center>
 
 
 
<br>
 
<center>**As always, thanks for reading.**</center>
<center>*All feedback, thoughts, suggestions, criticisms, etc. are welcomed.*</center>
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@dbooster ·
$0.04
I think one line works in Japanese because the sound of the phrases divides it for us in our head. Even haiku that don't follow the 5/7/5 format usually easily divide into at least two "phrases" due to structure or kireji. In English I don't think it works quite as well. 

That said, I love experiments. I think haiku as two or four lines work quite well in English. For example, with your first haiku

from tears we learn we have known moments 
without fear sorrow and pain

or 

from tears we learn
we have known moments 
without
fear sorrow and pain

Early translators of haiku, in fact, usually used two or four lines. It wasn't until the 60s that those who insist on controlling things decided that all English haiku must be 3 lines. 

English is not Japanese, 5/7/5 mora is not 5/7/5 syllables. I think experimenting with different ways to form haiku is a good thing!
๐Ÿ‘  
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@boxcarblue · 
I noticed that when I posted this, on my phone screen the lines naturally broke into two lines, and I liked that. 

This is where I got my introduction to the single line haiku. I had a few exchanges with the author Alan Summers, and he directed me to the essay he wrote at the beginning of this PDF. 

https://www.callofthepage.org/app/download/33959143/The+Pan+Haiku+Review+inaugural+issue+%28Spring+2023%29+editor+-+Alan+Summers.pdf
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@dwixer ·
$0.04
For long I've often considered poem to be in three or more lines, I never tried the single line and that makes me prefer the tercets. I like the first verse of the poem that talks about learning from pain and past . Great one
๐Ÿ‘  
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@boxcarblue · 
I understand how you feel. I want to embrace the single line poem idea. I like it. But, still, the three line poems are more familiar to me and so I have a hard time not preferring them.
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@hivebuzz · 
Congratulations @boxcarblue! You have completed the following achievement on the Hive blockchain And have been rewarded with New badge(s)

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</table>

<sub>_You can view your badges on [your board](https://hivebuzz.me/@boxcarblue) and compare yourself to others in the [Ranking](https://hivebuzz.me/ranking)_</sub>
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To support your work, I also upvoted your post!


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@kriszrokk ·
$0.04
I prefer the tercets over the single line ones but than again it's the mind that plays tricks as in it finds the patterns quicker, it's used to it (notion of familiarity), has a better rhythm if separated properly etc.
No. 1 is my fav ๐Ÿ˜‰
๐Ÿ‘  
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vote details (1)
@boxcarblue · 
Iโ€™m finding that I like the idea of single-line poetry more than the actual finished single-line poetry itself. ๐Ÿคฃ

I think itโ€™s the familiarity thing that you printed out. 

With single-line poetry, I like the idea that a reader can explore the spaces where words meet and form different line breaks that might alter the meaning, but at the same time, without being told itโ€™s a poem, and without intentionally adding some kind of poetic syntax, what might be beautiful as a tercet might just seem like a boring sentence as a single line. 

Isnโ€™t that funny.
๐Ÿ‘  
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@litguru ·
$0.04
I really enjoyed this one, but they're all delightful:

>in a tiny park
a pair of swings waits
and waits some more
๐Ÿ‘  
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vote details (1)
@boxcarblue · 
Iโ€™m glad to hear it. Thank you.
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@nickydee ·
$0.04
Who knew?!

Incredible 

Me being me... I seperated them into three lines in my head and read them like that ๐Ÿ˜ฌ

But I could also read the difference and how the format can change the meaning... quite brilliant, isn't it?! Very beautiful share.

Very beautiful words. As always.

Sending sunshine from the South
๐Ÿ‘  
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@boxcarblue · 
Yeah, itโ€™s hard to get away from the things weโ€™ve been trained to do. I think I prefer the three-line structure myself because thatโ€™s what Iโ€™m accustomed to, but I like the idea of a single-line poem. 

Hope all is well with you.
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@nickydee ·
$0.04
Yep. It's so important to shake things up a bit! So much to learn. So much to see. So much to try... it seems like a waste of life to get stuck on repeating the same things forever :)

I really enjoyed the one line approach because it leaves even more space for interpretation and feeling for the reader.

But my brain also likes order so it tends to sort that out wherever it goes anyway :D Good luck, brain! ๐Ÿ˜‚ I'm trying to become comfortable with the never knowing now 

Have a cool day and go big in Japan today ๐ŸŒธ<div><a href="https://engage.hivechain.app">![](https://i.imgur.com/XsrNmcl.png)</a></div>
๐Ÿ‘  
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@old-guy-photos ·
$0.04
I am no poet and know nothing about poetry. However, I always respected e. e. cummings for just throwing away all convention and formatting freely.
๐Ÿ‘  
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vote details (1)
@boxcarblue · 
He definitely threw the public some wild curve balls. ๐Ÿคฃ
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@riverflows ·
$0.05
The tercets are immediately preferable, but I love reading poetry in single lines - which I then turn into verse. It's the line breaks for me - they add their own rhythm.
๐Ÿ‘  ,
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vote details (2)
@boxcarblue · 
Thank you for commenting. 

Iโ€™m so used to writing poetry in this short form with line breaks that thinking about and playing with line breaks has become an integral part of writing them. Because of that, itโ€™s really hard for me to leave the tercet format behind. 

And, because I wrote these poems with line breaks, I have a really hard time reading them and evaluating them as single line poems. 

When I read Japanese haiku, though, and single-line poems by other people, I find myself bouncing around within the single line and making various connections and line breaks of my own, which I really like doing. 

Single line poems seem really strange and often awkward to me now, but I want to start exploring them. Itโ€™s like suddenly having a new medium or technology to work with.
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@shemzy ·
$0.04
I don't know much about haiku, I believe this haiku are written by highly intelligent people to coin feelings in few verses.

However, I like your poem, we learn from tears
๐Ÿ‘  
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vote details (1)
@boxcarblue · 
Iโ€™m glad you liked them. Thank you for commenting.
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@shemzy · 
You're welcome
properties (22)
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@tess100 · (edited)
$0.04
I think I prefer the tercet; gives me a deeper feeling of reading a poem due to the outlook. Either way, the meaning was properly expressed. 

I might just try the Japanese Haiku Mono-stitch thingy.

Thank you for sharing
๐Ÿ‘  
properties (23)
authortess100
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vote details (1)
@boxcarblue · 
I canโ€™t quite get away from the tercet either. It just feels right. But the moon-stich is a fun experiment. Give it a try.
properties (22)
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