<center> [![](https://ipfs-3speak.b-cdn.net/ipfs/bafybeib2hrad4n2akco433c4ndbxtauozm722qlfgyzczpevbih4fvpcne/)](https://3speak.tv/watch?v=eliaschess333/mklyaiat) ▶️ [Watch on 3Speak](https://3speak.tv/watch?v=eliaschess333/mklyaiat) </center> --- <div class="text-justify"><div class=pull-left> <hr> <center><h3>ESPAÑOL</h3></center> </hr> Y a horas de dar la bienvenida al mes de Diciembre, un mes lleno de mucha nostalgia así como también de muchas alegrías, quise traer una nueva sección de los tras cámaras en la formación de un pianista, esto con la intención de mostrar de un modo didáctico los desafíos a los que nos enfrentamos cuando queremos interpretar una determinada melodía, y por supuesto también en ese deseo de perfeccionar nuestra técnica. </div> <div class=pull-right> <br> <center><h3>ENGLISH</h3></center> And just hours before welcoming the month of December, a month full of much nostalgia as well as many joys, I wanted to bring a new section of the behind the scenes in the training of a pianist, this with the intention of showing in a didactic way the challenges we face when we want to interpret a certain melody, and of course also in that desire to perfect our technique. </div> <div class="text-justify"> <img src="https://i.postimg.cc/qR4g6CXb/portada-def.png"> </div> <div class="text-justify"><div class=pull-left> <hr> Uno de los primeros temas que quiero tratar, es el relativo a como abordamos los compases que encierran una cierta complejidad, siendo acá de vital importancia el dominio de la lectura musical, la cual permite canalizar el estudio de la partitura. Desde que inició el año 2022, me propuse como meta dominar una melodía del maestro Antonio Lauro, esta melodía es Natalia, una melodía desde mi percepción bastante compleja pero que esconde una belleza sin igual. </hr> </div> <div class=pull-right> <hr> One of the first topics I want to discuss is how we approach the measures that contain a certain complexity, being here of vital importance the mastery of music reading, which allows us to channel the study of the score. Since the beginning of the year 2022, I set myself the goal of mastering a melody of the master Antonio Lauro, this melody is Natalia, a melody from my perception quite complex but that hides an unparalleled beauty. </hr> </div> <div class="text-justify"> <img src="https://i.postimg.cc/3xrTGCPD/1.png"> </div> <div class="text-justify"><div class=pull-left> <hr> Vale destacar que no tengo una dedicación exclusiva al piano, por eso es un tanto ambicioso abordar el tema Natalia, pero me siento contento de que ya estoy dominando bastante bien la primera parte de la misma, y quiero confesarles que todos los compases me han parecido muy complejos. Y la forma como he podido dominarles ha sido a través de la repetición continua. Y si reflexionamos, así es como aprendemos muchas cosas en la vida, a través de la repetición. </hr> </div> <div class=pull-right> <hr> It is worth mentioning that I do not have an exclusive dedication to the piano, so it is somewhat ambitious to approach the theme Natalia, but I am happy that I am already mastering the first part of it quite well, and I want to confess that all the measures have seemed very complex to me. And the way I have been able to master them has been through continuous repetition. And if we reflect, this is how we learn many things in life, through repetition. </hr> </div> <div class="text-justify"> <img src="https://i.postimg.cc/yx7fGnhm/2.png"> </div> <div class="text-justify"><div class=pull-left> <hr> Es fascinante, es un milagro de la vida como nuestra memoria tiene diversas facetas, una de ellas es la memoria muscular, como nuestros dedos aprenden. Evidentemente este tipo de memoria va enlazado con esa memoria rítmica musical que nos da la garantía de lo que estamos tocando suene como debe ser. Por lo que todo se resume en trabajo fuerte y mucho estudio. Recuerdo un maestro al cual le consultaba sobre cómo vencer el miedo escénico al tocar, ese miedo a equivocarse en publico. Muy sabiamente me responde: se equivoca el que poca estudia…y desde allí esa frase la tengo en mi mente. </hr> <hr><h3>Mi viaje en el HANON continua…</h3></hr> <hr>Por el poco tiempo que dispongo para estudiar piano, el HANON es mi método predilecto para mantener la destreza y fortaleza en mis dedos. Hace ya unos meses les presenté este trabajo:</hr> <hr>Los tras cámaras de la formación de un Pianista: he terminado la primera parte del Hanon (Esp-Eng): https://hive.blog/hive-193816/@eliaschess333/axurchgq</hr> </div> <div class=pull-right> <hr> It is fascinating, it is a miracle of life how our memory has several facets, one of them is muscle memory, how our fingers learn. Evidently this type of memory is linked to that musical rhythmic memory that gives us the guarantee that what we are playing sounds as it should. So it all comes down to hard work and a lot of study. I remember a teacher whom I asked about how to overcome stage fright when playing, that fear of making a mistake in public. Very wisely he answered me: the one who doesn't study enough is wrong... and since then I have that phrase in my mind. </hr> <br> <hr><h3>My journey on the HANON continues...</h3></hr> <hr>Due to the limited time I have to study piano, HANON is my favorite method to maintain dexterity and strength in my fingers. A few months ago I presented this work to you:</hr> <hr>The behind the scenes of the training of a Pianist: I have finished the first part of the Hanon (Eng-Eng): https://hive.blog/hive-193816/@eliaschess333/axurchgq</hr> </div> <iframe width="560" height="315" src="https://3speak.tv/embed?v=eliaschess333/axurchgq" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> <div class="text-justify"><div class=pull-left> <hr> Les presento dos nuevas lecciones, específicamente la lección 21, 22; vale estacar que me he mantenido haciendo todas las anteriores, y eso es algo muy importante en el abordaje de este método, así no avancemos en nuevas lecciones podemos hacer las que nos sabemos, ponernos retos como hacerlas más rápido, por citar un ejemplo. Espero en una próxima publicación presentarles todas las lecciones de corrido. </hr> <hr><h3>Cierre</h3></hr> <hr>Te invito a que veas el recurso audiovisual del comienzo y me dejes tus apreciaciones en la sección de comentarios. Es para mi muy grato compartir en la comunidad de MUSIC los tras cámaras de la formación de un pianista. Hasta una próxima oportunidad. Escribió para ustedes:</hr> <hr><h3>Créditos</h3></hr> <hr>El video fue editado con Filmora 11 El logo de MUSIC es cortesía de la comunidad Las tomas fueron realizadas por mi persona con la ayuda de mi trípode </hr> </div> <div class=pull-right> <hr> I present two new lessons, specifically lesson 21, 22; it is worth mentioning that I have kept doing all the previous ones, and that is something very important in the approach of this method, even if we do not advance in new lessons we can do the ones we know, we can challenge ourselves to do them faster, for example. I hope to present all the lessons in a future publication. </hr> <br> <hr><h3>Closing</h3></hr> <hr>I invite you to watch the audiovisual resource at the beginning and leave me your appreciations in the comments section. It is a pleasure for me to share with the MUSIC community the behind the scenes of a pianist's training. See you next time. Written for you: </hr> <hr><h3>Credits</h3></hr> <hr> The video was edited with Filmora 11 MUSIC logo is courtesy of the community The shots were taken by myself with the help of my tripod. </hr> </div> <h3><hr>The translation into English was done with the DEEPL TRANSLATOR tool: https://www.deepl.com/es/translator</hr></h3> --- ▶️ [3Speak](https://3speak.tv/watch?v=eliaschess333/mklyaiat)
author | eliaschess333 | ||||||||||||||||||
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permlink | mklyaiat | ||||||||||||||||||
category | hive-193816 | ||||||||||||||||||
json_metadata | "{"tags":["spanish","piano","hanon","lecturamusical","music"],"app":"3speak/0.3.0","type":"3speak/video","image":["https://ipfs-3speak.b-cdn.net/ipfs/bafybeib2hrad4n2akco433c4ndbxtauozm722qlfgyzczpevbih4fvpcne"],"video":{"info":{"platform":"3speak","title":"Los tras cámaras de la formación de un pianista: compases de complejidad y avanzando en el Hanon","author":"eliaschess333","permlink":"mklyaiat","duration":643.76,"filesize":660817014,"file":"ipfs://bafybeifjn2ggiu5vj6j6lgccioljlstaxod3qukyozerevyzvbldroi5d4","lang":"es","firstUpload":false,"ipfs":null,"ipfsThumbnail":null,"video_v2":"ipfs://QmfGYe3qcBMj4ibaxzQJa5MiaonBNt8zXZpbGfUGLWNddf/manifest.m3u8","sourceMap":[{"type":"video","url":"ipfs://QmfGYe3qcBMj4ibaxzQJa5MiaonBNt8zXZpbGfUGLWNddf/manifest.m3u8","format":"m3u8"},{"type":"thumbnail","url":"ipfs://bafybeib2hrad4n2akco433c4ndbxtauozm722qlfgyzczpevbih4fvpcne"}]},"content":{"description":"<div class=\"text-justify\"><div class=pull-left>\r\n<hr>\r\n<center><h3>ESPAÑOL</h3></center>\r\n</hr>\r\n\r\nY a horas de dar la bienvenida al mes de Diciembre, un mes lleno de mucha nostalgia así como también de muchas alegrías, quise traer una nueva sección de los tras cámaras en la formación de un pianista, esto con la intención de mostrar de un modo didáctico los desafíos a los que nos enfrentamos cuando queremos interpretar una determinada melodía, y por supuesto también en ese deseo de perfeccionar nuestra técnica. \r\n</div>\r\n\r\n<div class=pull-right> \r\n<br>\r\n<center><h3>ENGLISH</h3></center>\r\nAnd just hours before welcoming the month of December, a month full of much nostalgia as well as many joys, I wanted to bring a new section of the behind the scenes in the training of a pianist, this with the intention of showing in a didactic way the challenges we face when we want to interpret a certain melody, and of course also in that desire to perfect our technique.\r\n</div>\r\n<div class=\"text-justify\">\r\n<img src=\"https://i.postimg.cc/qR4g6CXb/portada-def.png\">\r\n</div>\r\n\r\n<div class=\"text-justify\"><div class=pull-left>\r\n<hr>\r\nUno de los primeros temas que quiero tratar, es el relativo a como abordamos los compases que encierran una cierta complejidad, siendo acá de vital importancia el dominio de la lectura musical, la cual permite canalizar el estudio de la partitura. Desde que inició el año 2022, me propuse como meta dominar una melodía del maestro Antonio Lauro, esta melodía es Natalia, una melodía desde mi percepción bastante compleja pero que esconde una belleza sin igual.\r\n</hr>\r\n</div>\r\n\r\n<div class=pull-right> \r\n<hr>\r\nOne of the first topics I want to discuss is how we approach the measures that contain a certain complexity, being here of vital importance the mastery of music reading, which allows us to channel the study of the score. Since the beginning of the year 2022, I set myself the goal of mastering a melody of the master Antonio Lauro, this melody is Natalia, a melody from my perception quite complex but that hides an unparalleled beauty.\r\n</hr>\r\n</div>\r\n\r\n<div class=\"text-justify\">\r\n<img src=\"https://i.postimg.cc/3xrTGCPD/1.png\">\r\n</div>\r\n\r\n<div class=\"text-justify\"><div class=pull-left>\r\n<hr>\r\nVale destacar que no tengo una dedicación exclusiva al piano, por eso es un tanto ambicioso abordar el tema Natalia, pero me siento contento de que ya estoy dominando bastante bien la primera parte de la misma, y quiero confesarles que todos los compases me han parecido muy complejos. Y la forma como he podido dominarles ha sido a través de la repetición continua. Y si reflexionamos, así es como aprendemos muchas cosas en la vida, a través de la repetición.\r\n</hr>\r\n</div>\r\n\r\n<div class=pull-right> \r\n<hr>\r\nIt is worth mentioning that I do not have an exclusive dedication to the piano, so it is somewhat ambitious to approach the theme Natalia, but I am happy that I am already mastering the first part of it quite well, and I want to confess that all the measures have seemed very complex to me. And the way I have been able to master them has been through continuous repetition. And if we reflect, this is how we learn many things in life, through repetition.\r\n</hr>\r\n</div>\r\n\r\n<div class=\"text-justify\">\r\n<img src=\"https://i.postimg.cc/yx7fGnhm/2.png\">\r\n</div>\r\n\r\n<div class=\"text-justify\"><div class=pull-left>\r\n<hr>\r\nEs fascinante, es un milagro de la vida como nuestra memoria tiene diversas facetas, una de ellas es la memoria muscular, como nuestros dedos aprenden. Evidentemente este tipo de memoria va enlazado con esa memoria rítmica musical que nos da la garantía de lo que estamos tocando suene como debe ser. Por lo que todo se resume en trabajo fuerte y mucho estudio. Recuerdo un maestro al cual le consultaba sobre cómo vencer el miedo escénico al tocar, ese miedo a equivocarse en publico. Muy sabiamente me responde: se equivoca el que poca estudia…y desde allí esa frase la tengo en mi mente.\r\n</hr>\r\n\r\n<hr><h3>Mi viaje en el HANON continua…</h3></hr>\r\n\r\n<hr>Por el poco tiempo que dispongo para estudiar piano, el HANON es mi método predilecto para mantener la destreza y fortaleza en mis dedos. Hace ya unos meses les presenté este trabajo:</hr>\r\n\r\n<hr>Los tras cámaras de la formación de un Pianista: he terminado la primera parte del Hanon (Esp-Eng): https://hive.blog/hive-193816/@eliaschess333/axurchgq</hr>\r\n</div>\r\n\r\n<div class=pull-right> \r\n<hr>\r\nIt is fascinating, it is a miracle of life how our memory has several facets, one of them is muscle memory, how our fingers learn. Evidently this type of memory is linked to that musical rhythmic memory that gives us the guarantee that what we are playing sounds as it should. So it all comes down to hard work and a lot of study. I remember a teacher whom I asked about how to overcome stage fright when playing, that fear of making a mistake in public. Very wisely he answered me: the one who doesn't study enough is wrong... and since then I have that phrase in my mind.\r\n</hr>\r\n\r\n<br>\r\n<hr><h3>My journey on the HANON continues...</h3></hr>\r\n\r\n<hr>Due to the limited time I have to study piano, HANON is my favorite method to maintain dexterity and strength in my fingers. A few months ago I presented this work to you:</hr>\r\n\r\n<hr>The behind the scenes of the training of a Pianist: I have finished the first part of the Hanon (Eng-Eng): https://hive.blog/hive-193816/@eliaschess333/axurchgq</hr>\r\n</div>\r\n\r\n<iframe width=\"560\" height=\"315\" src=\"https://3speak.tv/embed?v=eliaschess333/axurchgq\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\r\n\r\n<div class=\"text-justify\"><div class=pull-left>\r\n<hr>\r\nLes presento dos nuevas lecciones, específicamente la lección 21, 22; vale estacar que me he mantenido haciendo todas las anteriores, y eso es algo muy importante en el abordaje de este método, así no avancemos en nuevas lecciones podemos hacer las que nos sabemos, ponernos retos como hacerlas más rápido, por citar un ejemplo. Espero en una próxima publicación presentarles todas las lecciones de corrido.\r\n</hr>\r\n\r\n<hr><h3>Cierre</h3></hr>\r\n\r\n<hr>Te invito a que veas el recurso audiovisual del comienzo y me dejes tus apreciaciones en la sección de comentarios. Es para mi muy grato compartir en la comunidad de MUSIC los tras cámaras de la formación de un pianista. Hasta una próxima oportunidad. Escribió para ustedes:</hr>\r\n\r\n<hr><h3>Créditos</h3></hr>\r\n\r\n<hr>El video fue editado con Filmora 11\r\n\r\nEl logo de MUSIC es cortesía de la comunidad\r\n\r\nLas tomas fueron realizadas por mi persona con la ayuda de mi trípode\r\n</hr>\r\n</div>\r\n\r\n<div class=pull-right> \r\n<hr>\r\nI present two new lessons, specifically lesson 21, 22; it is worth mentioning that I have kept doing all the previous ones, and that is something very important in the approach of this method, even if we do not advance in new lessons we can do the ones we know, we can challenge ourselves to do them faster, for example. I hope to present all the lessons in a future publication.\r\n</hr>\r\n\r\n<br>\r\n<hr><h3>Closing</h3></hr>\r\n\r\n<hr>I invite you to watch the audiovisual resource at the beginning and leave me your appreciations in the comments section. It is a pleasure for me to share with the MUSIC community the behind the scenes of a pianist's training. See you next time. Written for you: </hr>\r\n\r\n<hr><h3>Credits</h3></hr>\r\n\r\n<hr>\r\nThe video was edited with Filmora 11\r\n\r\nMUSIC logo is courtesy of the community\r\n\r\nThe shots were taken by myself with the help of my tripod.\r\n</hr>\r\n</div>\r\n\r\n\r\n<h3><hr>The translation into English was done with the DEEPL TRANSLATOR tool: https://www.deepl.com/es/translator</hr></h3>","tags":["spanish","piano","hanon","lecturamusical","music"]}}}" | ||||||||||||||||||
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| ![Logo-comments2.png](https://images.hive.blog/DQmSUgZZV65EhTcdFjM8QNf7L2eFSQCZSJzjjQw8Q1UzzPm/Logo-comments2.png) | Your post was reblogged by us and received an upvote from the [Music](https://hive.blog/trending/hive-193816) community on Hive. <br><br>Do you want to get involved? Do you want to support music and this project? Follow us to keep you updated and read our [Introduction post](https://peakd.com/introduceyourself/@music-community/introducing-the-official-music-community-account)!<br><br> 🎶 Join us on our [Discord Server](https://discord.gg/zueU8ZEJdA)! 🎵 | |----|----|
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Thanks for the support! Regards from Peru!!
author | eliaschess333 |
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La música es una forma de soñar. Gracias por regalarme tan hermosa melodía día a día mi rey😘😘 Dios te bendiga mi Zambito hermoso🙏🙏
author | normacanaza |
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Mi reina para mí es un placer intepretarte en el piano, en la flauta mi música, lo hago con todo mi amor ❤️❤️❤️ gracias por apoyarme y creer en mi, Dios te bendiga 🙏🙏 mi reina, te amo ❤️❤️❤️😍
author | eliaschess333 |
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I just hope others .... I mean other hivers get to know that this is not just a common post to stumble upon. Throughout this post, one thing that I have been able to learn is consistency. I have gotten to know that you practiced the act of consistency which has brought you to this particular spot that you are now. A nice post!!
author | obaro |
---|---|
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Thank you for this word my friend @obaro, you really fill me with a lot of emotion and motivation to keep moving forward in the piano and in the creation of content. And so it is dear @obaro, discipline is transcendental to achieve what we propose, and of course the inspiration that gives us love what we do. A big hug from Peru. Blessings!
author | eliaschess333 |
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permlink | rm8eor |
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https://twitter.com/1109793622336176135/status/1598315528443027456 <sub> The rewards earned on this comment will go directly to the people sharing the post on Twitter as long as they are registered with @poshtoken. Sign up at https://hiveposh.com.</sub>
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Master @eliaschess333, genial tu experiencia. Recuerdo de niño practicar con el Czerny y el Hanon. No continué porque le agarre más amor a la trompeta que al piano. Cuando tocaba esas lecciones empezaba practicando con la mano derecha, luego con la izquierda y posteriormente ambas, los dedos anular y meñique lloraban hahaha Que genial que hables de este tema de la memoria muscular, también me pasa con la trompeta a pesar de que solo uso tres dedos, he tenido la oportunidad de tocar un flicorno baritono de 4 pistones y en ese caso si se necesita un Hanon. hahaha Te felicito por compartir tu experiencia. Esto lo he disfrutado de principioa fin.
author | yisusth |
---|---|
permlink | re-eliaschess333-rm785u |
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Literalmente maestro @yisusth los dedos anular y meñique lloran...wow como el método Hanon fortalece esos dedos, después quedan ligeros para entrarle a cualquier melodía. Interesante que estudiaste piano de niño, allí están esos conocimientos maestro. Gracias por tu apoyo maestro, es grato saber que te gustó esta publicación. Un gran abrazo!!
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