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Jazz post-bop: «Fleurette Africaine (African Flower)» (versión original y de Norah Jones) [ESP/ENG] by fjcalduch

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hive-193816 · @fjcalduch ·
Jazz post-bop: «Fleurette Africaine (African Flower)» (versión original y de Norah Jones) [ESP/ENG]
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<p><center><h3><strong>Versión original</strong></h3></center></p>
<p><strong><div class="text-justify">Duke Ellington (piano), Charles Mingus (contrabajo) y Max Roach (batería). Extraído del álbum <em>Money Jungle</em> (1963).</div></strong></p>
<p><div class="text-justify">Durante los años treinta, Duke Ellington se aprovechó del éxito que el swing estaba teniendo gracias a la big band de Benny Goodman y otras. Sin embargo, justo cuando el jazz se estaba convirtiendo en la música popular norteamericana, Ellington quería transformarlo en una forma de arte seria. Él tenía suficiente talento para alcanzar el máximo nivel artístico al mismo tiempo que seguía siendo un artista famoso. Su música contenía disonancias y sus melodías no eran fáciles de tararear. Mientras la mayoría de las big bands incluían numerosas canciones populares en su repertorio, Ellington tocaba sus propias composiciones junto con otros tipos de música. A veces tenía éxitos inesperados, pero a menudo interpretaba piezas largas y difíciles de recordar.</div></p>
<p><blockquote><div class="text-justify">During the 1930s, Duke Ellington took advantage of the success swing was having thanks to Benny Goodman’s big band and others. However, just as jazz was becoming American popular music, Ellington wanted to transform it into a serious art form. He was talented enough to reach the highest artistic level while remaining a famous artist. His music contained dissonances and his melodies weren’t easy to hum. While most big bands included plenty of popular songs in his repertoire, Ellington played his own compositions along with other types of music. Sometimes he had unexpected hits, but he often performed long and hard-to-remember pieces.</div></blockquote></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23xAeW3VivBgCg7hufJcCy2EouQoJ8NaWem3bVGM2HpLSwDWJBKkeFhf977MGYjewmh1s.jpg" alt="Duke Ellington 3.jpg">
</center></p>
<p><center>Duke Ellington</center></p>
<p><a href="https://www.gettyimages.de/detail/nachrichtenfoto/american-jazz-pianist-composer-and-bandleader-duke-nachrichtenfoto/498384007?adppopup=true">Fuente</a></p>
<p><div class="text-justify">Incluso cuando Ellington ofrecía un animado tema con swing, no se basaba en los típicos <em>riffs</em> que conducían a otras big bands al éxito, sino en complicados arreglos. Hoy en día sus temas más famosos son los que tienen la estructura armónica habitual AABA, pero éstas solo son una pequeña parte de su extenso estilo musical. Dirigía su big band con gestos desde el piano y como líder no ejercía una estricta disciplina, sino que mantenía la cohesión de la orquesta con una mezcla de carisma, halagos, humor y perspicacia. Su audiencia en los Estados Unidos era principalmente afroamericana, pero también tenía muchos seguidores en el extranjero, por lo que hizo una gira por el Reino Unido, Francia y los Países Bajos en 1933. Al año siguiente apareció con su big band en las películas <em>Murder at the Vanities</em> y <em>Belle of the Nineties</em>.</div></p>
<p><blockquote><div class="text-justify">Even when Ellington offered a lively swinging tune, he didn’t rely on the typical riffs that lead other big bands to success, but on complicated arrangements. Today his most famous numbers are those with the usual AABA harmonic structure, but these are only a small part of his extensive musical style. He conducted his big band with gestures from the piano and as a leader he didn’t exercise strict discipline, but maintained the cohesion of the orchestra with a mixture of charisma, flattery, humor and insight. His audience in the United States was mainly Afro-American, but he had also a large following abroad, so he toured the United Kingdom, France and the Netherlands in 1933. The following year he appeared with his big band in the films Murder at the Vanities and Belle of the Nineties.</div></blockquote></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/EpVBX5xXagE5DmQP5DmnR8ukcyPB3xZbZ6r7mDLWBxUFwz6rdSKUQLMWAEoRV62Wo9z.jpg" alt="Duke Ellington's Big Band 1.jpg">
</center></p>
<p><center>Big band de Duke Ellington</center></p>
<p><a href="https://beat.media/duke-ellington-and-the-gang">Fuente</a></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23xyfjUdyMcrrDStxCFvzCy2MyXeR5fycNsDjK6H9T8KM99xF25PFQvFVQoSkhnuX8Bcb.jpg" alt="Cartel Murder at the Vanities.jpg">
</center></p>
<p><center>Cartel de <em>Murder at the Vanities</em></center></p>
<p><a href="https://www.allmovie.com/movie/murder-at-the-vanities-v33815">Fuente</a></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/EoySsAgTSnzZZ7Za2rMLFMBktC1y4TYCfTwtBLwzVQ3dF3ZjHZWVp15Vc8hP9CyDQHS.jpg" alt="Cartel Belle of the Nineties.jpg">
</center></p>
<p><center>Cartel de <em>Belle of the Nineties</em></center></p>
<p><a href="https://www.allmovie.com/movie/belle-of-the-nineties-v80248">Fuente</a></p>
<p><div class="text-justify">La música comienza con Mingus haciendo un sonido como el aleteo de un colibrí, y Ellington y Roach se incorporan de inmediato. Ellington expone el tema con una melodía sencilla, pero reflexiva. En un momento determinado, Mingus abandona sus aleteos, pero sigue tocando de forma libre. Roach los acompaña con golpes sutiles en el tambor con los mazos y Ellington hace ligeras variaciones sobre el tema, pero sin alejarse mucho de él, mientras Mingus vuelve a sus aleteos hasta que el trío deja de tocar.</div></p>
<p><blockquote><div class="text-justify">The music begins with Mingus making a sound like the hummingbird flapping, and Ellington and Roach jump right in. Ellington lays out the theme with a simple, but thoughtful melody. At one point, Mingus gives up his flapping, but continues to play freely. Roach supports them with subtle strokes on the drum with the mallets and Ellington makes slight variations on the theme, but without moving too far from it, as Mingus goes back to his flapping until the trio stops playing.</div></blockquote></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23x16opE5KcnARomnt1Juw98tgZgXttJCzNLAT6T4kUvtPLpzZioUcCpor1pAW6KyAERA.jpg" alt="Dibujo colibrí.jpg">
</center></p>
<p><center>Colibrí</center></p>
<p><a href="https://www.pinterest.es/pin/24699497945136559/">Fuente</a></p>
<p>Translated with the help of <a href="https://www.deepl.com/">DeepL</a></p>
<p><center>https://www.youtube.com/watch?v=uN8DPwUMa_U</center><p>
<p><a href="https://www.youtube.com/@JazzTuna">Fuente</a></p>
<p>℗ United Artists Records</p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23wMnuw8TsSU3D4KPJVGPKfFN74qF3pRMGEQhaWDUxm1anrNLhJvQCwhB51qP1RjXd8tS.jpg" alt="Sello United Artists.jpg">
</center></p>
<p><center><a href="https://logo-share.blogspot.com/2014/12/united-artists-records-logo.html">Fuente</a></center></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/EowMyS32zqa5tWewhhDuJrxBunFtYn9jzMroA3MmKjzHgnkaRB1Xej1KReWq1Dfnr2s.jpg" alt="Dibujo separador de párrafos 3.jpg">
</center></p>
<p><center><h3><strong>Versión de Norah Jones</strong></h3></center></p>
<p><strong><div class="text-justify">Norah Jones (voz, piano), Wayne Shorter (saxo soprano), John Patitucci (contrabajo) y Brian Blade (batería). Extraído del álbum <em>Day Breaks</em> (2016).</div></strong></p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/AKGayMyxsEZitH8fQVeRomSjwHnDLh47LDWNU61N2W5Txj3qZyRvxeZ292TX9p2.jpg" alt="Cubierta Day Breaks.jpg">
</center></p>
<p><center>Cubierta álbum</center></p>
<p><a href="https://www.allmusic.com/album/day-breaks-mw0002968031">Fuente</a></p>
<p><center>https://www.youtube.com/watch?v=XV-SePcXxGk</center><p>
<p><a href="https://www.youtube.com/channel/UCBJtGODWGrM3fdQ0G5E9uAQ">Fuente</a></p>
<p>℗ Blue Note Records</p>
<p><center>
<img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23y9AhmEbb9SihEX8dZPU1rnUTyMgrHQArY7eM5UJDgn8adVjTMH8ChgG3oBceH3ojkrG.jpg" alt="Sello Blue Note.jpg">
</center></p>
<p><center><a href="https://www.udiscovermusic.com/stories/the-50-greatest-blue-note-albums/">Fuente</a></center></p>
<p><center><img src="https://files.peakd.com/file/peakd-hive/fjcalduch/23y9H131ooCW8QRg57wfg9m8uM3jjs416NGeUEpqm53H9Kbx9Fp6G757sGbJB64xMEA6N.jpg" alt="Dibujo final post 3 primer post álbum.jpg">
</center></p>
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@jesus-son ·
$0.20
Great work you are doing here @fjcalduch 
Giving us this insight on a constant basis
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@w74 ·
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Wonderful here that Norah Jones has realised here that words don't matter. The music tells the whole story.
Nevertheless, the Duke is more exciting for me.
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