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## I did continue to work on the song
<div class="pull-right">https://files.peakd.com/file/peakd-hive/grapthar/jkNsHDXt-Screen20Shot202020-10-1320at209.41.2920PM.png<center><b>Track 1, A (Yellow) Section</b></center></div><div class="text-justify">idea I'd shared for the last two nights, but I also did some other stuff last night, and thought this turned out pretty cool, at least for a rough idea done in 15 minutes, so I figured it's worth sharing. I gave myself 15 minutes, with the goal of just writing a cool progression, maybe with two parts, which is exactly what I wound up with. I managed to get 7 other tracks on top of this, though 3 of them are playing the same progression, with various degrees of variation, and the others really basic single note lines. Track 1 is where I began, mapping out the basic progression, which consist of the A part in Yellow, and B part in Green. The A part begins on a C7, resolving to our tonic of F- (with a b13 on top), then a Dbmaj6, to an Eb6, before repeating again. The B part, in Green, is half the length, and gets a bit weirder and dissonant, which I'm always partial to. It starts on an F#11 (F lydian I suppose), to a Dminb13, then a Gadd9, and finally, Amin7add11.</div>
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## <center>Track 1, B (Green) Section</center>
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## <center>[Listen to *Chøord* here...](https://soundcloud.com/croatunes/choord)</center>
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## Track 2 originally was a descending synth line, which stuck to
<div class="pull-left">https://files.peakd.com/file/peakd-hive/grapthar/33Wrj1Ii-Screen20Shot202020-10-1320at209.42.5320PM.png<center><b>Track 7, Simple Line, B Part</b></center></div><div class="text-justify">chord tones in the B part, which I wound up recording into an audio track, chopping into 2 bar increments, then reversing, which I think is way cooler. Track 3 just plays the top 2 notes of the A part, with a different synth to fill things in some more. Track 4 provides a percussive, woodblock synth sound, which just does little two note fills at the beginning of each 2 bar section. Track 5 uses the same chords as Track 1, just with some pitch bending happening, which I recorded into Track 6. I must have forgot to mute Track 5, but it turns out it made for a cool, phasey effect, as they have a bit of variation between them. Track 7 plays a little synth line, which is okay, but I think needs to be played with a synth that has a sharper attack, as this one feels a bit floaty. Finally, we have Track 8, which is sort of a bass part, sticking to root notes almost entirely.</div>
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## Hope you enjoy last night's creation! Thanks for listening!
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<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/909681103&color=%23972232&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/croatunes" title="Croatunes" target="_blank" style="color: #cccccc; text-decoration: none;">Croatunes</a> · <a href="https://soundcloud.com/croatunes/choord" title="chøord" target="_blank" style="color: #cccccc; text-decoration: none;">chøord</a></div>
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### [Check out my new E.P. **numerical** here.](https://thesupplekrew.bandcamp.com/album/numerical)
### [Click here to listen to all of my Splinterlands inspired songs!](https://soundcloud.com/thesupplekrew/sets/steem-monsters-songs)
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[⚔️ JOIN THE OFFICIAL SPLINTERLANDS TELEGRAM ⚔️](https://t.me/splinterlandsHQ)</center>
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