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![Screen Shot 2022-05-16 at 9.23.26 PM.png](https://files.peakd.com/file/peakd-hive/grapthar/Eo1xtoxqEA9REg4JaDfJAyAtEafLvMb7BXbbVX2diSwU1D4715igQByqujCDNsbVWFa.png)
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## I spent some time last night messing
<div class="pull-right">https://files.peakd.com/file/peakd-hive/grapthar/23t7DLqTEf7onLEhVYZ4eiJj7moBeFQvFtZiPDxxJGeWUsXygZDQDg8v1HnouiDNZcFAV.png<center><b>Drum EQ and Glue Compressor (which is WAY too intense, hehe)</b></center></div><div class="text-justify">with the idea shared yesterday, which I think is now much more interesting, though now there are some other very obvious changes I want to make.  Firstly, I redid all the midi clips for the cello parts (still using the new LABS instruments), so they make a lot more sense together and aren't just random bits.  However, I realized that now, each 'part' is FAR too long, and needs to end at an earlier point (specifically after the high C# comes in).  One of the cello parts does a weird thing where it goes to the V, then the bV, back to the V again, so I had edited Track 15's bass part to reflect that as well, but I don't think that'll be in here once I chop each part down.  As you will also hear, after recording these to audio, I went in and separated little bits of the clips, reversing some, bumping others up an octave or two (or three in some cases), and repeating some others, to make it weirder and glitchier.  There's also now 2 sections for the cellos, with the A part starting and ending the song, and the cooler, glitchier part in the middle.  I think once I shorten the B sections, and get rid of the muddy, overly dissonant parts, this will make a lot more sense, so I'll try that tonight and see what happens.</div>








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![Screen Shot 2022-05-16 at 9.23.43 PM.png](https://files.peakd.com/file/peakd-hive/grapthar/23tvCfKUsaR8mTDaVEzLwTZcyurEvKk9b8R8USYfc4CGJGKAXZ2y6W86SAJ5u7jR9rzoX.png)
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## <center>Redoing the LABS Cellos</center>

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## <center>[Listen to *GeoMe2* here...](https://soundcloud.com/croacreations/geome2)</center>
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## Hope you enjoy!
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