![BARCELONA 2014 317-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/EoGx227T8iLKzNUkLXW7KTtcSbquZdw3tKy1S98gzhqBD76u4c6UjXP2xFRy8d9eZF4.jpg) The next day, December 11, will be exactly one hundred and ten years since the laying of the first stone of a totally unusual, disconcerting but above all sublime and unique work of its kind, whose completion seems still far from being completed: the Expiatory Temple of the Holy Family. [El próximo día, 11 de diciembre, se cumplirán exactamente ciento diez años de la colocación de la primera piedra de una obra totalmente insólita, desconcertante pero sobre todo sublime y única en su género, cuya finalización parece todavía lejos de concluirse: el Templo Expiatorio de la Sagrada Familia]. ![BARCELONA 2014 004-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/245HoFVFGjHH2aUM6ayLinUyfKUSxBycz77XRFCuQD9iQJ4tFHxzcZhE6fMZ45zVdnWYM.jpg) Also known as 'the cathedral of the poor', the Sagrada Familia - denomination with which from now on we will refer to this masterpiece of Universal Architecture - the culminating work and project of the brilliant Catalan architect, Antoni Gaudí i Cornet, constitutes, If I may express myself, a poem where technique, imagination, fantasy and detail are the outstanding notes of a metaphorical symphony, whose imaginary eighth notes fix the sublime precepts of creation in natural models. [También conocida como ‘la catedral de los pobres’, la Sagrada Familia –denominación con la que a partir de ahora nos referiremos a esta obra cumbre de la Arquitectura Universal- obra y proyecto culmen del genial arquitecto catalán, Antoni Gaudí i Cornet, constituye, si me permiten la expresión, un poema donde técnica, imaginación, fantasía y detalle son las notas sobresalientes de una metafórica sinfonía, cuyas imaginarias corcheas fijan en los modelos naturales los sublimes preceptos de la creación]. ![BARCELONA 2014 284-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/EpA1z3ryy48DUFyEXDL4t9W9mW2uDPcE28jiEohM1WshUDKTJBjcvXKFPaRgVp616ZG.jpg) The passion that Gaudí felt for Nature is not, in any way, unknown, nor is his deep knowledge, based mainly on an insightful observation of its laws, of which there are always notable references, whatever they may be. the character of the innumerable buildings that constitute, without a doubt, a whole legacy of genius and fantasy. [No es, en modo alguno desconocido, la pasión que Gaudí sentía por la Naturaleza, como tampoco lo es su profundo conocimiento, basado, principalmente, en una perspicaz observación, de sus leyes, de las que siempre se aprecian notables referencias, sea cual sea el carácter de los innumerables edificios que constituyen, no cabe duda, todo un legado de genialidad y fantasía]. ![BARCELONA 2014 080-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/Eos2FFisd3WjioCGZxRGmVFXodQ5cjJWvbn46nwp1WdB7oSvxwPvJecNFhY6XvkkT5T.jpg) This statement, surprising as it may seem, is easily perceived with a simple glance at the characteristics of his work; characteristics, of course, that find a formidable means of expression, especially if we take a close look at the exterior façade of a cathedral, which, due to circumstances, could be considered not only as a notable break with its Gothic precedents - style, of which Gaudí stated in particular, 'that it was incomplete', to the point of adding that in a dilapidated state it seemed much more interesting - but also that whose construction has been extended over time, possibly being the one with more years of work and industriousness counts in his, anyone would say that eternal history. [Esta afirmación, por sorprendente que pueda parecer, es fácilmente percibida con un simple vistazo a las características de su obra; características, por supuesto, que encuentran un formidable medio de expresión, sobre todo si echamos un vistazo atento a la fachada exterior de una catedral, que por circunstancias, podría ser considerada no sólo como un rompimiento notable con sus precedentes góticas –estilo, del que particularmente afirmaba Gaudí, ‘que estaba incompleto’, hasta el punto de añadir, que en estado ruinoso le parecía mucho más interesante- sino también aquella cuya construcción ha ido extendiéndose en el tiempo, hasta ser, posiblemente, la que con más años de trabajo y laboriosidad cuenta en su, cualquiera diría que eterna historia]. ![BARCELONA 2014 307-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/23u5zorPoNKnZk4jCsM9URJxzY4EFeGcKETJVvrUyqyHABrDPJmBqxW3mYUuCt8Cx1mtP.jpg) So in fact, seen from the outside as a whole, not only is the total break with medieval cathedrals seen, but also, we can observe in it, at least comparatively speaking, a kind of monumental and natural ziggurat, which makes us think in the sacred darkness of the cave, up to the sublime peaks of the mountain, passing through the dark abundance of the populated forests. [Por lo que de hecho, vista exteriormente en su conjunto, no sólo se aprecia el rompimiento total con las catedrales medievales, sino que además, podemos observar en ella, al menos comparativamente hablando, una especie de monumental y natural zigurat, que nos hace pensar en las oscuridades sagradas de la caverna, hasta las sublimes cumbres de la montaña, pasando por la sombría abundancia de los poblados bosques]. ![BARCELONA 2014 364-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/23xKraP7DhmkArLbJWP8exZUv78QkgXUcdoAmrXzTrwTTZj2N67STWUoiWJLMFAJGTcMJ.jpg) That is to say, a whole display of allusion to nature, including the allusion to different models of life that come together in it, the interior of the temple being the reserved place, not only as a sanctum-sanctuary of the Divine, but also a homage to what we can intellectually suppose as the highest form: man. [Es decir, todo un despliegue de alusión a la naturaleza, incluida la alusión a diferentes modelos de la vida que en ella se dan cita, siendo el interior del templo el lugar reservado, no sólo como sancta-santórum de la Divinidad, sino también un homenaje a la que de manera intelectual podemos suponer como la forma superior: el hombre]. ![BARCELONA 2014 378-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/23zGeiSs57kvxfTPMqRRg1X6Penf2VZLLWGtgYXh5cTgX2hK4Z96UxgqbU1AuJuYNkHJr.jpg) This becomes more evident, if we pay attention to the shape of its columns, its flying buttresses, its baptistery or its dome, which simply recall the bones and joints of a human skeleton, distributed in a cross-shaped plan. –As they used to have originally, both the great majority of Romanesque churches and Gothic cathedrals- which originally represented on the plane, the highest figure of Christianity: the Crucified. [Esto se hace más evidente, si prestamos atención a la forma de sus columnas, de sus arbotantes, de su baptisterio o su cimborrio, que recuerdan, sencillamente, los huesos y las articulaciones de un esqueleto humano, distribuido en una planta en forma de cruz –como solían tener originalmente, tanto la gran mayoría de iglesias románicas como las catedrales góticas- que originalmente representaban sobre el plano, la figura cumbre del Cristianismo: el Crucificado]. ![BARCELONA 2014 392-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/23wC9deNDgyjfKmTYLq5sR7ebhPmd6MLdt63w5VaXDuL81QJBHnnLsGGnv1XuNFt5iDTQ.jpg) Far from seeming this a gratuitous observation, there is evidence, especially in models and photographs of the time, of the detailed studies that Gaudí carried out in this regard, in a study - and sorry for the redundancy - of which he made his home, like a hermit, in the many years invested in a great project, whose unexpected death, which occurred on June 7, 1926, when hit by a tram, left the world orphaned of one of the greatest architects in history. [Lejos de parecer ésta una observación gratuita, queda constancia, sobre todo en maquetas y fotografías de la época, de los detallados estudios que Gaudí realizaba al respecto, en un estudio –y perdón por la redundancia- del que hizo su hogar, cual ermitaño, en los muchos años invertidos en un grandioso proyecto, cuya inesperada muerte, acaecida el día 7 de junio de 1926, al ser arrollado por un tranvía, dejó al mundo huérfano de uno de los más grandes arquitectos de la Historia]. ![BARCELONA 2014 419-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/EoyPVNg4FawyX12CAYHpL8gPwyV8QjmAmQv8UFe5QNF8ej9oSDp42t9aJMBP5e5nrDn.jpg) Bearing in mind all that has been commented here, you should not be surprised if to finish, I also affirm that the Sagrada Familia is not only a sublime work of Universal Architecture, but that it is a 'living' work, whose archetypes are especially designed not only to surprise, but also to motivate the spirit, to the point of being able to affirm - or at least I think so - that Gaudí, regardless of the fact that apart from being a devout Christian he could also have been a Freemason, as numerous observable details seem to indicate. In the whole of his work, that this immeasurable temple is something more than a well assembled set of stones and stained glass windows: it is an authentic metaphysical poem, where Architecture is transmuted into atanor, within which consciences are modeled. [Teniendo constancia de todo lo que aquí se ha comentado, no deben extrañarse si para terminar, afirmo, además, que la Sagrada Familia no sólo es una obra sublime de la Arquitectura Universal, sino que es una obra ‘viva’, cuyos arquetipos están especialmente diseñados no sólo para sorprender, sino también para motivar el espíritu, hasta el punto de poder afirmar –o al menos yo así lo pienso- que Gaudí, independientemente de que aparte de devoto cristiano pudiera haber sido también masón, como parecen indicarlo numerosos detalles observables en el conjunto de su obra, de que éste inconmensurable templo, es algo más que un conjunto de piedras y vidrieras bien ensamblado: es un auténtico poema metafísico, donde la Arquitectura se transmuta en atanor, en cuyo interior se modelan conciencias]. ![BARCELONA 2014 421-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/EoGrbba884Vsm2aRko3podQdiSkzNDRxkkA5Hmnjk4PnQtiwZYKZFj56yJZVCv6GhY4.jpg) Related Movie: https://youtu.be/R13lm005DMg NOTICE: Both the text and the photographs that accompany it, as well as the video that illustrates it, are my exclusive intellectual property and therefore, are subject to my Copyright. AVISO: Tanto el texto, como las fotografías que lo acompañan, como el vídeo que lo ilustra, son de mi exclusiva propiedad intelectual y por lo tanto, están sujetos a mis Derechos de Autor. ![BARCELONA 2014 486-1.jpg](https://files.peakd.com/file/peakd-hive/juancar347/241thRXffdt9n3kpw72qyGiSa9HAuw6AQ5CcLc7GPi49hASQdxQKKQ2Uhi95g7HRvbtG4.jpg) [![juankar.png](https://cdn.steemitimages.com/DQmUNNqr6KLSrhZViPHy5SQiS3LkWt6PxGhUs8m2QwsihW3/juankar.png)](https://steemit.com/@juancar347)</center> <center> ![MUNDO.jpg](https://images.hive.blog/DQmZMxTc98JHw1paACArT3656n1cRSVmbkuFQmfdZbzrB7P/MUNDO.jpg)</center> # <center>[![TXATXY CAMARA--1.png](https://cdn.steemitimages.com/DQmTPXWTwbMzLbsfbizAtH2ggiGS5NZLLoxUZsDVK3TXQyF/TXATXY%20CAMARA--1.png)]( https://peakd.com/@txatxy/posts)</center> <center>[![](https://cdn.steemitimages.com/DQmPrHCo4UbkTtp3GYa4rZJB5fk9yrnDqhmbyn2B8gyK3Z7/image.png)](https://www.youtube.com/channel/UCNw9xVzpFQ2CIa2gbZpSS-w)</center>
author | juancar347 |
---|---|
permlink | eng-spn-fantasy-architecture-gaudis-sagrada-familia-arquitectura-de-fantasia-la-sagrada-familia-de-gaudi |
category | hive-178708 |
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created | 2021-06-23 10:06:09 |
last_update | 2021-06-23 10:06:09 |
depth | 0 |
children | 21 |
last_payout | 2021-06-30 10:06:09 |
cashout_time | 1969-12-31 23:59:59 |
total_payout_value | 12.762 HBD |
curator_payout_value | 9.932 HBD |
pending_payout_value | 0.000 HBD |
promoted | 0.000 HBD |
body_length | 11,387 |
author_reputation | 880,801,467,757,462 |
root_title | "[ENG-SPN] Fantasy architecture: Gaudí's Sagrada Familia / Arquitectura de fantasía: la Sagrada Familia de Gaudí" |
beneficiaries | [] |
max_accepted_payout | 1,000,000.000 HBD |
percent_hbd | 10,000 |
post_id | 104,502,567 |
net_rshares | 51,417,090,542,064 |
author_curate_reward | "" |
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gogreenbuddy | 0 | 340,594,134,269 | 10% | ||
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larryparra | 0 | 650,342,796 | 22.25% | ||
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mariannelyr11 | 0 | 929,207,545 | 22.25% | ||
marcosmilano71 | 0 | 47,102,371,019 | 50% | ||
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ocdb | 0 | 13,963,372,412,807 | 6% | ||
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jakim7 | 0 | 13,685,923,439 | 50% | ||
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spyd | 0 | 740,317,530 | 100% | ||
bifork | 0 | 551,601,722 | 100% | ||
zeeon | 0 | 559,851,618 | 100% | ||
davidox | 0 | 547,038,466 | 100% | ||
daleron | 0 | 543,383,456 | 100% | ||
fireon | 0 | 549,392,058 | 100% | ||
tribu | 0 | 548,755,816 | 100% | ||
maxgas | 0 | 536,392,399 | 50% | ||
misterios | 0 | 544,173,015 | 100% | ||
corill | 0 | 545,849,205 | 100% | ||
xmedia | 0 | 575,863,251 | 100% | ||
yotis | 0 | 575,230,202 | 100% | ||
wildbird | 0 | 585,716,348 | 100% | ||
openos | 0 | 575,205,956 | 100% | ||
bkt | 0 | 551,148,849 | 100% | ||
sub-zero | 0 | 571,888,380 | 100% | ||
nh3 | 0 | 545,584,997 | 100% | ||
vicenteajb | 0 | 3,348,191,643 | 89% | ||
amart29 | 0 | 25,216,193,630 | 89% | ||
francyrios75 | 0 | 30,652,802,181 | 89% | ||
xcore | 0 | 825,545,343 | 100% | ||
alfabet | 0 | 547,884,061 | 100% | ||
sonmi451 | 0 | 549,351,281 | 100% | ||
klan | 0 | 856,953,322 | 100% | ||
voxmortis | 0 | 2,057,106,168 | 1.1% | ||
ummar | 0 | 1,930,518,160 | 5.5% | ||
team-mexico | 0 | 19,511,688,344 | 44.5% | ||
thelittlebank | 0 | 43,192,468,493 | 5.5% | ||
loope | 0 | 735,572,270 | 100% | ||
nuvola | 0 | 1,421,749,247 | 100% | ||
stefano.massari | 0 | 25,648,807,156 | 50% | ||
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thevil | 0 | 32,076,814,422 | 5.5% | ||
milky-concrete | 0 | 6,454,477,102 | 5.5% | ||
eliasseth | 0 | 2,162,167,955 | 22.25% | ||
adalger | 0 | 15,449,594,704 | 1.1% | ||
iovoccae | 0 | 3,908,571,913 | 100% | ||
steemlandia | 0 | 3,892,627,740 | 100% | ||
krakenpei | 0 | 550,267,962 | 22.25% | ||
variedades | 0 | 833,226,191 | 2.4% | ||
robmojo | 0 | 12,308,011,399 | 3.3% | ||
ortanol | 0 | 1,023,319,261 | 100% | ||
pindex | 0 | 833,782,714 | 100% | ||
treodecimo | 0 | 42,388,486,096 | 89% | ||
rem-steem | 0 | 6,377,243,439 | 4.4% | ||
jamys | 0 | 549,756,448 | 100% | ||
hill007 | 0 | 558,003,516 | 100% | ||
ilboss | 0 | 547,322,575 | 100% | ||
briatore | 0 | 555,130,877 | 100% | ||
byoo | 0 | 542,114,542 | 100% | ||
europa1 | 0 | 540,767,683 | 100% | ||
sferaz | 0 | 537,543,998 | 100% | ||
xfox | 0 | 540,788,475 | 100% | ||
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eliptic | 0 | 840,164,886 | 100% | ||
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qaap | 0 | 549,127,758 | 100% | ||
pompeo | 0 | 543,087,673 | 100% | ||
sfrd | 0 | 546,174,965 | 100% | ||
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korta | 0 | 536,971,326 | 100% | ||
hortex | 0 | 542,166,976 | 100% | ||
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vakum | 0 | 542,836,173 | 100% | ||
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joker777 | 0 | 549,317,166 | 100% | ||
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drhoofman | 0 | 12,305,722 | 4.4% | ||
babytarazkp | 0 | 890,002,395 | 10% | ||
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cards4u | 0 | 640,823,960 | 100% | ||
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marriakjozhegp | 0 | 1,710,898,089 | 50% | ||
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dpoll.witness | 0 | 1,232,137,980 | 5.5% | ||
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peacefighter | 0 | 552,487,389 | 100% | ||
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gogoo | 0 | 548,956,477 | 100% | ||
fitzmagic | 0 | 547,484,974 | 100% | ||
toni.pal | 0 | 0 | 0.84% | ||
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speedwinning | 0 | 549,448,059 | 100% | ||
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edaz | 0 | 593,102,707 | 100% | ||
qtu | 0 | 590,047,459 | 100% | ||
shimozurdogames | 0 | 1,704,633,092 | 5.5% | ||
neo2 | 0 | 717,071,926 | 100% | ||
hive-132175 | 0 | 10,314,488,492 | 2.75% | ||
kravata | 0 | 664,434,155 | 100% | ||
janaliana | 0 | 1,628,311,470 | 5.5% | ||
badge-107955 | 0 | 11,366,590,929 | 2.75% | ||
kyleana | 0 | 3,659,839,387 | 44.5% | ||
morpheus2 | 0 | 660,607,730 | 100% | ||
trinity2 | 0 | 730,493,740 | 100% | ||
siong | 0 | 701,660,094 | 100% | ||
phineus | 0 | 755,182,533 | 100% | ||
zitra | 0 | 692,587,332 | 100% | ||
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feiderman | 0 | 30,683,771,760 | 100% | ||
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Wow! This structure is so amazing! I've never seen anything like it.
author | afterglow |
---|---|
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This is precisely why it is so unique, because it broke molds, not only in its time, but also in later times and it could also be added that it is unique in its kind. Greetings Precisamente por eso es tan singular, porque rompió moldes, no sólo en su época, sino también en épocas posteriores y además podría añadirse que es única en su género. Saludos
author | juancar347 |
---|---|
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Well done @juancar347! We're happy to inform you that this publication was specially curated and awarded the GOLD MARK in [Architecture Brew #30](https://peakd.com/hive-178708/@aplusd/architecture-brew-30). Congratulations! ![AB CURATION BANNER - GOLD MARK - NEW.jpg](https://files.peakd.com/file/peakd-hive/aplusd/AKchf4vmE8Z6yuzWBfuk163cm4dNPaw1hcxW8DfgpC8FV3L3hApbyYP48n2ELTk.jpg) Subscribe to [Architecture+Design](https://peakd.com/c/hive-178708/created), an OCD incubated community.
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Thank-you very much
author | juancar347 |
---|---|
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You’re most welcome @juancar347. Keep up the remarkable content and stay awesome! Cheers! 😊
author | aplusd |
---|---|
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Que impresionante, espero algún día conocerla. Actualmente ya se terminó?
author | feiderman |
---|---|
permlink | re-juancar347-qv6cyc |
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Todavía no y creo que pasarán algunos años, antes de que esté definitivamente terminado. Espero que puedas conocerla algún día. Saludos Not yet and I think it will be a few years before it is definitely finished. I hope you can meet her one day. Greetings
author | juancar347 |
---|---|
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Wow estimado amigo este post que nos compartes es un verdadero poema, al igual que el templo es atemporal, os felicito por la excelente narrativa, me sentí un visitante de esos que con su continúa visita al templo de los pobres queda atónito al punto de creer que se vive un sueño distopico, como siempre las fotos son el mejor regalo que nos entregas, gracias por compartir este trabajo de simbologia tradicional, este post me llevó en un viaje retrospectivo y también al futuro al misterio de las catedrales de mi autor favorito : Fulcanelli, quien decía que las piedras son un libro abierto que hablan de símbolos y arquetipos, saludos desde el otro lado del charco, recibe un abrazo y mis afectos.
author | jakim7 |
---|---|
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Puedo asegurarte, que Fulcanelli fue el culpable, entre algunos otros autores, de que hace muchos se despertara en mi interior una gran pasión, no sólo por la Arquitectura y el Arte en general, sino también por los increíbles conocimientos que se ocultan en ellas y donde, efectivamente, la piedra constituye un libro abierto que hay que aprender a leer, de la manera en que se leía antiguamente: a través de la fuerza de su simbolismo. La Sagrada Familia de Gaudí, como digo, es una obra inconmensurable, viva, que posiblemente sea el resultado final de toda una vida dedicada al estudio de las leyes naturales, que son, esencialmente, las que se puede decir que destacan en toda su obra, siendo lo más importante, quizás, el respecto hacia el entorno, en un intento temprano de hacer, por ejemplo, que Arquitectura y Entorno convivieran como dos amantes, sin herirse mutuamente. Yo, que me considero, sobre todo, persona de letras, tengo que admitir que en ciertas situaciones, una imagen vale más que mil palabras. Y en este sentido, si las imágenes y el vídeo ayudan a hacerse una ligera idea de lo expuesto en el post y de la sublime experiencia que supone visitar un lugar como éste, pues me siento doblemente contento. Muchas gracias por tus siempre amables comentario y un afectuoso saludo desde Madrid. I can assure you that Fulcanelli was the culprit, among some other authors, that many ago a great passion was awakened within me, not only for Architecture and Art in general, but also for the incredible knowledge that is hidden in them and where, indeed, the stone constitutes an open book that must be learned to read, in the way it was read in the past: through the force of its symbolism. Gaudí's Sagrada Familia, as I say, is an immeasurable, living work that is possibly the end result of a lifetime dedicated to the study of natural laws, which are, essentially, those that can be said to stand out in all his work The most important thing, perhaps, being respect for the environment, in an early attempt to make, for example, Architecture and Environment coexist as two lovers, without hurting each other. I, who consider myself, above all, a person of letters, I have to admit that in certain situations, a picture is worth a thousand words. And in this sense, if the images and the video help to get a slight idea of what is exposed in the post and of the sublime experience that visiting a place like this entails, then I feel doubly happy. Thank you very much for your always kind comments and warm greetings from Madrid.
author | juancar347 |
---|---|
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Hola @juancar347 Te saludo desde Venezuela y a la vez te felicito por la calidad narrativa que usas y por las excelentes fotografías que tomas. Leer cada párrafo que escribes hace que nuestra imaginación vuele hasta la altura de poder sentir los detalles que describes; además, lo que no capta la imaginación entonces tus imágenes lo alcanzan. Me encantó tu publicación. Gracias por mostrarnos esta maravillosa obra de la arquitectura. Saludos e infinitas bendiciones. > Hello @ juancar347 I greet you from Venezuela and at the same time I congratulate you for the narrative quality you use and for the excellent photographs you take. Reading each paragraph you write makes our imaginations fly to the point of being able to feel the details you describe; also, what does not capture the imagination then your images reach. I loved your post. Thank you for showing us this wonderful work of architecture. Greetings and infinite blessings.
author | marcosmilano71 |
---|---|
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Muchas gracias, estimado amigo @marcosmilano71, por tu amable comentario. Intento poner pasión en mis trabajos, sobre todo cuando se trata de impresiones. En realidad, ya el gran restaurador francés, Viollet le Duc, llegó a afirmar en su época, que la Historia debería contemplar también la visión de poetas, artistas, arquitectos, etc, para tener una complementariedad más acorde y más apreciativa de los detalles. Y algunos edificios, como éste, sin duda influyen en la disposición de cualquiera que se atreva a hablar de ellos. Un afectuoso saludo desde Madrid. Thank you very much, dear friend @ marcosmilano71, for your kind comment. I try to put passion in my work, especially when it comes to printing. In fact, already the great French restorer, Viollet le Duc, came to affirm in his time, that History should also contemplate the vision of poets, artists, architects, etc., to have a more consistent and more appreciative complementarity of the details. And some buildings, like this one, certainly influence the disposition of anyone who dares to talk about them. An affectionate greeting from Madrid.
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Considering it has been under construction for ages, It still is beautiful peace of architecture and religious faith. The structure is commendable since all the initial drawings was burnt, the people are still doing their best to complete the project. The pictures are wonderful clearly showing the fusion of gothic and art nouveau style of architecture. Have a wonderful weekend @juancar347
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And it still continues to build. Until when, it is not known, but even so, as you say, it is a beautiful work, whose fantasy, neo-Gothic and modernist, in effect, the distance from the others, making it unique in its kind. Not all was lost, actually. There are still models and numerous photographs of the studies and projects that Gaudí himself carried out in his workshop, as you can see in these photographs that he has attached. Thank you very much for your comment and a warm greeting. Y todavía continúa construyéndose. Hasta cuándo, no se sabe, pero aún así, como dices, es una hermosa obra, cuya fantasía, neogótica y modernista, en efecto, la distancia de las demás, haciéndola única en su género. No todo se perdió, en realidad. Todavía quedan maquetas y numerosas fotografías de los estudios y proyectos que el propio Gaudí realizaba en su taller, como puedes ver en éstas fotografías que adjunto. Muchas gracias por tu comentario y un afectuoso saludo. ![BARCELONA 2014 485.jpg](https://images.hive.blog/DQmPtmTESWXmr8cDPzNsL3xBt1xCKpBEE6TSpU5ykKYwJtU/BARCELONA%202014%20485.jpg) ![BARCELONA 2014 489.jpg](https://images.hive.blog/DQmU3tW41YZakqJyeX6uyU2kbM7W816xSyiA8zZaNKKSHBJ/BARCELONA%202014%20489.jpg) ![BARCELONA 2014 493.jpg](https://images.hive.blog/DQmX7pH5gMGSD9A1F7PTsCMWzmPgiRQTwvCwcohzuvrCsf4/BARCELONA%202014%20493.jpg)
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This Church is truly breathtaking
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It certainly is. Already at the time when the project (late nineteenth and early twentieth centuries) broke the mold with the concepts, uses and architectural designs considered 'orthodox' until then. It could even be added that it still continues to be a novel singularity. Best regards Ciertamente, lo es. Ya en la época en que la que se proyectó (finales del siglo XIX y principios del siglo XX) rompió moldes con los conceptos, usos y diseños arquitectónicos considerados como 'ortodoxos' hasta entonces. Podría incluso añadirse, que todavía continúa siendo una novedosa singularidad. Saludos cordiales
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OMG, I'm speechless! The Basílica de la Sagrada Família is probably the most famous piece of classical architecture of religious significance from Spain, if not worldwide. This is also one of the best masterpieces of its architect Antoni Gaudí indeed! Thank you @juancar347 for presenting this marvelous work of architecture and apologies for my late comment. Cheers!
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It could be said that this is the case: in fact, not only did its planning, design and development take all of his life, but also, it is still not finished and in reality, it is not known when it will be. It is a grandiose temple, which of course breaks molds and that is why it could be described, as in fact I do, as the only one of its kind and worldwide known. You should see the queues of visitors who come to Barcelona, among other things, to be able to see it, admire it, feel it. As for the final part of your comment, there is nothing you should apologize for. I understand that there is not always the availability to comment and debate and of course, late or not, I really appreciate your comment. A cordial greeting. Podría decirse que así es: de hecho, no sólo su planificación, diseño y desarrollo le llevó toda su vida, sino que además, todavía no está finalizada y en realidad, no se sabe cuándo lo estará. Es un templo grandioso, que desde luego rompe moldes y por eso se podría calificar, como de hecho yo así lo hago, como de único en su género y mundialmente conocido. Deberías ver las colas de visitantes que acuden a Barcelona, entre otras cosas, para poder verlo, admirarlo, sentirlo. En cuanto a la parte final de tu comentario, no hay nada por lo que debas disculparte. Entiendo que no siempre se tiene la disponibilidad para comentar y debatir y desde luego, tardío o no, te agradezco mucho tu comentario. Un cordial saludo.
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Appreciate it very much! And you are right about the church not yet completed. There are many projections on its completion date but who knows? This building would probably also be the world's longest ongoing construction piece. Thanks again and have a splendid week! 😊
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Hola esa obra será sin duda la más hermosa de nuestro país La visite hace años, pero conoces a angel y con las colas de gente que había no quiso quedarse a ver el interior, cosa que lamento hasta estos momentos y seguiré lamentándolo Tienes razón está viva y bien se ve en sus fachada no por las grúas y las obras sino por el movimiento y el sentimiento que sentimos los cristianos y no cristianos. Para aquellos tiempos esto ere una trasgresión a lo clásico, de la iglesia romana, jaja los cebaderos de cabeza que tendría el papa jajaj El video me encanta Una gran presentación como siempre. Feliz dia juankar --------------------------------- Hello, that work will undoubtedly be the most beautiful in our country I visited it years ago, but you know Angel and with the queues of people who were there, he did not want to stay to see the interior, which I regret until now and will continue to regret it You are right, it is alive and well it is seen in its facade not because of the cranes and the works but because of the movement and the feeling that Christians and non-Christians feel. For those times this is a transgression to the classic, of the Roman church, haha the head feeders that the pope would have hahaha I love the video A great presentation as always. Happy day juankar
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Me imagino lo de las colas de espera, pues es un foco de atracción increíble para todos aquellos que visitan Barcelona. De hecho, cuando estuve, pude entrar por las gestiones a través de internet de mis amigos, aunque también te digo que hubiera esperado horas con tal de poder ver y sentir, porque esto es lo importante, esta auténtica maravilla. Porque es realidad, en el fondo es eso: algo vivo, algo especialmente ideado para influir en el inconsciente y liberar imaginación a raudales. Una arquitectura, que como bien dices, no sólo rompió moldes con los modelos típicos de los templos cristianos de la época, sino que introdujo en ellos, de una manera más fantástica, la naturaleza y su geometría universal, su belleza y su perfección. Gaudí no sólo fue un innovador, sino también, de alguna manera, un arquitecto visionario, capaz de obrar maravillas con los modelos universales. Pero esto es sólo la capa de un iceberg, arquitectónico y simbólico, del que se podría hablar largo y tendido. Feliz día I imagine the queues, as it is an incredible focus of attraction for all those who visit Barcelona. In fact, when I was there, I was able to enter through my friends' internet procedures, although I also tell you that I would have waited hours in order to see and feel, because this is the important thing, this authentic wonder. Because it is reality, deep down it is that: something alive, something specially designed to influence the unconscious and unleash imagination in abundance. An architecture that, as you say, not only broke the mold with the typical models of the Christian temples of the time, but also introduced in them, in a more fantastic way, nature and its universal geometry, its beauty and its perfection. Gaudí was not only an innovator, but also, in a way, a visionary architect, capable of working wonders with universal models. But this is only the layer of an iceberg, architectural and symbolic, about which one could speak at length. Happy day
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https://twitter.com/txatxy_txa/status/1407647610807140354
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