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id | sm_stake_tokens |
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json | {"token":"SPS","qty":0,"app":"splinterlands/0.7.139","n":"XhAL8Uh7WG"} |
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json | {"token":"DEC","qty":38,"to":"splinterbank","memo":"splinterbank","app":"splinterlands/0.7.230228","n":"Bizolizede5"} |
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json | "{"n":"ILEZxpZy","player":"chapeenai","payment":"4.000 SPS","signed_pw":null,"tournament_id":"3f7b1efeac505c74dc3bed22e2775dfcaa712956"}" |
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json | {"contractName":"tokens","contractAction":"transfer","contractPayload":{"symbol":"PART","to":"golem.overlord","quantity":"7","memo":"scavenge_golem_burn"}} |
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json | {"contractName":"market","contractAction":"sell","contractPayload":{"symbol":"VOUCHER","quantity":"890.365","price":"0.1873939"}} |
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json | "{"contractName":"tokens","contractAction":"issue","contractPayload":{"symbol":"COM","to":"mmoonn","quantity":"0.000029","memo":"you have mined new COM tokens for staking HUSTLER dollars"}}" |
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id | terracore_battle |
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json | {"target":"hector713","tx-hash":"knp39yfeg8u4nk33vxf0i"} |
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1. | required_auths | |
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json | {"updates":[{"token":"HIVE","price":0.286441},{"token":"GLX","price":0.0076709128952800005},{"token":"GLGT","price":0.0148949606441},{"token":"GLUSD","price":1},{"token":"GMLSPA","price":1.54053698333559},{"token":"GLSNODE","price":694.619425}]} |
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permlink | re-incublus-rw109z |
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body | "Me too 😁
Strawberries seem to be a big favourite." |
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json | {"items":["1d530b55ae1600efc5970de82f6de9481cf2bc40-50","199e36f8df0de21e6ea9e6d2b860c068328576e4-0"],"days":2,"currency":"DEC","player":"kkir54"} |
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id | ssc-mainnet-hive |
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json | {"contractName":"market","contractAction":"sell","contractPayload":{"symbol":"STARDOM","quantity":"1000","price":"0.00008573"}} |
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author | mehmetfix |
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1. | parent_author | freewritehouse |
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parent_permlink | a-picture-is-worth-a-thousand-words-rw0yvk |
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author | freewritehouse |
---|
permlink | re-freewritehouse-rw109y |
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title | "" |
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body | "
![20230513_162556.jpg](https://files.peakd.com/file/peakd-hive/freewritehouse/23xVMSJTs4syouaJMyUyc9CQAMPZ79zugcemAJznZqGjxR1x5t2acdzHhLpkuaKMgFVKD.jpg)
# Last week's winners are
@zeleiracordero-2
With https://hive.blog/hive-161155/@zeleiracordero-2/the-violin-el-violin-a-picture-is-worth-a-thousand-words-eng-esp
@amiegeoffrey
With https://peakd.com/hive-161155/@amiegeoffrey/a-memorable-day
And
@faithetim
With https://ecency.com/hive-161155/@faithetim/a-picture-is-worth-a-0bcdf15f20fab
Congratulations to the winners! I wish all free writers a great, creative and healthy week/end.
Thank you so much for your entries and comments. 🍀💕 @wakeupkitty " |
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author | greywarden100 |
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1. | parent_author | samsmith1971 |
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parent_permlink | re-stregaazure-2023610t22239258z |
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author | strega.azure |
---|
permlink | re-samsmith1971-2023610t81330834z |
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title | "" |
---|
body | "So glad you've liked it! As for the picture - you guess it exactly right:) It is old piece, but that was the time I would draw connections, roots and for quiet some time I was obsessed w makro photography of human tissues.
So yeah - roads, veins, neurons, threads.. but when I started play with it - anthropomorphic shape surprised me too:) But it meant to be I guess!
Thank you very much for reading, and yes, there will be next part:)
As for the song, actually a hole thing really match! But this part kinda resonated with me.
>The broken locks were a warning you got inside my head
I tried my best to be guarded, I'm an open book instead
And I still see your reflection inside of my eyes
That are lookin' for purpose, they're still lookin' for life" |
---|
json_metadata | {"tags":["scholarandscribe","dreemport","freewriting","fiction","pob","wyb","cent","creativecoin","neoxian","hive-199275"],"app":"ecency/3.0.32-vision","format":"markdown+html"} |
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1. | parent_author | "" |
---|
parent_permlink | lightpainting |
---|
author | lichtkunstfoto |
---|
permlink | how-to-write-a-book |
---|
title | "How To Write A Book - Part Two" |
---|
body | "# <div class="text-center">LIGHTPAINTING - KREATIVE FOTOGRAFIE MIT BEWEGTEM LICHT</div>
![](https://images.ecency.com/DQmXt89DMJgamrmhXwr1K6PT9KjUVG94YeCmnBBqLX3Yf7e/buch_lightpainting_seite_3.jpg)
## <div class="text-center">STEP THREE - SOFTWARE</div>
<div class="pull-left"><div class="text-justify"><p>Nachdem nun die Struktur sowie das Format feststanden und ich mich dafür entschieden hatte, das Buch im Selbstverlag zu publizieren, suchte ich nach einer passenden Software zum Schreiben des Buches. Das Ergebnis muss eine druckfertige Datei sein. Ich muss also Schriftsatz und Layout selbst erstellen. Ich arbeite seit beinahe 30 Jahren ausschließlich mit Linux Systemen. Aus diesem Grund kamen alle kommerziellen Programme nicht in Frage. Die erste Möglichkeit wäre das Satzprogramm LaTeX. Ich versuchte mich in die Anleitung einzulesen, aber ehrlich gesagt hat mich das etwas überfordert. Einige meiner Fragen blieben auch nach längerer Recherche unbeantwortet, wie beispielsweise das Anordnen von Grafiken. Davon abgesehen, ist es kaum möglich einen längeren Text in LaTeX zu schreiben. </p><p> Die zweite Möglichkeit wäre ein DTP Programm, wie beispielsweise Scribus. Mit Scribus hatte ich schon einige Dokumente, wie Kalender, Flyer, Visitenkarten usw., erstellt. Das Programm und die Arbeitsweise von DTP ist mir also nicht ganz fremd. Allerdings ist es mit Scribus ebenfalls kaum möglich längere Texte zu schreiben. Dafür sind DTP Programme schließlich auch nicht da.</p><p>Möglichkeit drei wäre die Verwendung eines Textverarbeitungsprogramms, in meinem Fall LibreOffice Writer. Mit diesem ist es allerdings nicht möglich, Schriftsatz und Grafiken vernünftig zu positionieren. Darüber hinaus beherrschen Textverarbeitungsprogramme kein Farbmanagment.</p><p> Die Suche nach einem Programm, welches alle Anforderungen erfüllt blieb erfolglos. Ich war also gezwungen, mehrere Programme zu verwenden. Den Text schrieb ich in LibreOffice Writer, Schriftsatz und Layout mache ich in Scribus und zum Schluss werde ich dann das Scribus Dokument mit Ghostscript in das richtige Farbprofil konvertieren. Ob das dann alles wie geplant funktioniert, sehe ich wenn ich das gedruckte Buch in den Händen halte.</p></div></div>
<div class="pull-right"><div class="text-justify"><p>Now that the structure and format had been decided and I had decided to self-publish the book, I looked for suitable software to write the book. The result must be a print-ready file. So I have to create the typesetting and layout myself. I have been working exclusively with Linux systems for almost 30 years. For this reason, all commercial programmes were out of the question. The first option would be the typesetting programme LaTeX. I tried to read up on the manual, but to be honest it overwhelmed me a bit. Some of my questions remained unanswered even after longer research, such as how to arrange graphics. Apart from that, it is hardly possible to write a longer text in LaTeX. </p><p>The second option would be a DTP programme, such as Scribus. With Scribus I had already created some documents, such as calendars, flyers, business cards etc. So the programme and the way DTP works is not completely foreign to me. However, it is hardly possible to write longer texts with Scribus. That's not what DTP programmes are for.</p><p>Possibility three would be to use a word processing programme, in my case LibreOffice Writer. With this, however, it is not possible to position typesetting and graphics sensibly. In addition, word processing programmes are not capable of colour management.</p><p>The search for a programme that meets all requirements was unsuccessful. I was therefore forced to use several programmes. I wrote the text in LibreOffice Writer, did the typesetting and layout in Scribus and finally converted the Scribus document to the correct colour profile using Ghostscript. I will see if everything works as planned when I have the printed book in my hands.</p></div></div>
![](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
## <div class="text-center">STEP FOUR - WRITING</div>
![](https://images.ecency.com/DQmYNPNkbx2b6SPPrFkFFbtPhBvCJ2hGkmY92qjgNrwHMmu/screenshot_20230610_083358_v1.jpg)
<div class="pull-left"><div class="text-justify"><p>Ich arbeite zwar regelmäßig mit LibreOffice, aber ein Buch mit 292 Seiten ist dann doch etwas Anderes als ein Brief oder eine Rechnung zu schreiben. Für einige Dinge musste ich dann doch die F1 Taste drücken oder im Internet recherchieren. Einige Sachen, wie beispielsweise das Einfügen von Umbrüchen mit neuer Seitenvorlage, sind auch etwas merkwürdig. Einen Umbruch mit Strg + Enter mit anschließender Auswahl der Seitenvorlage funktioniert aus mir unerfindlichen Gründen nicht. Dabei wird die Seitenvorlage auch auf alle vorherigen Seiten angewendet. Das funktioniert nur über "Einfügen" - "Umbrüche" - "Manueller Umbruch", und das an jeder Stelle, an der eine andere Seitenvorlage nötig ist. Nicht gerade komfortabel. </p><p>Zuerst erstellte ich Seitenvorlagen für die verschiedenen Teile des Buches (Verzeichnisse, Titelei, Kapitelanfang, Text usw.). Bei einigen Vorlagen war es nötig diese jeweils für links und rechts zu erstellen. Dann erstellte ich Absatzvorlagen für Überschriften, Text, Tabellenbeschriftung, Abbildungsbeschriftung, Fußnoten, Verzeichnisse usw.).</p><p>Meine Idee war, das Dokument möglichst gleich so zu erstellen, wie es dann später im Buch aussehen sollte. Ich fügte also gleich alle Bilder, Tabellen und Grafiken an den richtigen Stellen im Text ein. Alle Verweise im Text auf Blider, Tabellen und Kapitel sollte automatisch auf die richtigen Stellen verweisen. Nachträglich Verweise mit der Hand zu setzen hätte mir vermutlich den letzten Nerv geraubt. Auch alle Verzeichnisse (Inhalt, Index, Abbildungen, Tabellen) sollte von Anfang an richtig sein. Mit dem DTP Programm sind Verweise und Verzeichnisse nur sehr eingeschränkt oder gar nicht möglich.</p></div></div>
<div class="pull-right"><div class="text-justify"><p>I work regularly with LibreOffice, but writing a book with 292 pages is different from writing a letter or an invoice. For some things I had to press the F1 key or do research on the internet. Some things, such as inserting page breaks with a new page template, are also a bit strange. For reasons I don't understand, a page break with Ctrl + Enter followed by a selection of the page template doesn't work. The page template is also applied to all previous pages. This only works via "Insert" - "Page breaks" - "Manual page break", and at every point where a different page style is necessary. Not exactly comfortable. </p><p>First I created page templates for the different parts of the book (indexes, title, beginning of chapter, text etc.). For some templates it was necessary to create them for the left and the right. Then I created paragraph templates for headings, text, table captions, figure captions, footnotes, indexes, etc.).</p><p>My idea was to create the document as close as possible to how it would later look in the book. So I inserted all the pictures, tables and graphics in the right places in the text. All the references in the text to bliders, tables and chapters should automatically point to the right places. Setting references by hand afterwards would probably have been the last thing on my mind. All indexes (contents, index, figures, tables) should also be correct from the beginning. With the DTP programme, references and directories are only possible to a very limited extent or not at all.</p></div></div>
![](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
## <div class="text-center">STEP FIVE - PROOFREADING</div>
<div class="pull-left"><div class="text-justify"><p>Nachdem ich ein Kapitel fertig hatte, las ich es noch einmal komplett und korrigierte die Fehler. Ich hatte in Writer zwar die Rechtschreib- und Grammatikkorrektur eingeschaltet, aber einige Fehler erkannte der Computer nicht. Auch schlecht formulierte Sätze oder Redundanzen erkennt die Maschine natürlich nicht, ganz abgesehen von sachlichem Blödsinn. Im nächsten Schritt gab ich das Dokument an einige sehr freundliche Menschen zum Korrektorat und Lektorat. Namentlich sind das @marlasinger, @candelart, @stepko und Hans Roufflair. Ich danke euch für eure Hilfe. Da alle genannten Damen und Herren ebenfalls Lightpainter sind können sie also das Buch also auch sachlich korrigieren und nicht nur sprachlich. Da Korrektorat und Lektorat fast so aufwändig sind wie das Schreiben selbst, ist dieser Prozess noch nicht abgeschlossen. Da das Buch ein Sachbuch werden soll, in welchem Wissen vermittelt wird, kann das Korrektorat nicht sorgfältig genug sein. Bei einem Witzebuch kann man sicher etwas nachlässiger arbeiten.</p><p>Im nächsten Teil beschreibe ich dann die Arbeit mit dem DTP Programm Scribus etwas eingehender. Ich müsste mich allerdings mal vom Computer losreißen und zur Abwechslung mit den Taschenlampen rumfuchteln. Bis dahin allzeit gutes Licht.</p></div></div>
<div class="pull-right"><div class="text-justify"><p>After I had finished a chapter, I read it again completely and corrected the mistakes. I had turned on spelling and grammar correction in Writer, but the computer did not recognise some mistakes. Of course, the machine also doesn't recognise badly worded sentences or redundancies, not to mention factual nonsense. The next step was to give the document to some very kind people for proofreading and editing. Namely @marlasinger, @candelart, @stepko and Hans Roufflair. Thank you all for your help. Since all the ladies and gentlemen mentioned are also light painters, they can also correct the book factually and not just linguistically. Since proofreading and editing are almost as time-consuming as the writing itself, this process is not yet complete. Since the book is to be a non-fiction book in which knowledge is imparted, the proofreading cannot be careful enough. For a joke book, one can certainly work a little more carelessly.</p><p>In the next part, I will describe the work with the DTP programme Scribus in a little more detail. However, I would have to tear myself away from the computer and fiddle around with the torches for a change. Until then, good light all the time.</p></div></div>
![divider_1.png](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
<center>![](https://images.ecency.com/DQmQejZi6ATwMpdUgFEu2Wx55qJL3yuCHf72xxBb1HyKQ1X/no_ai_v1.jpg)</center>
![divider_1.png](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
### <div class="text-center">WHAT IS LIGHT PAINTING?</div>
<div class="text-justify">Light painting is a unique form of art. The darkness is illuminate by the artist with diverse light sources and light traces are paint into the picture with various light tools. Various techniques are use, such as camera rotation or other movements of the camera during the exposure. The creative possibilities are almost unlimited. All the pictures were taken during one single exposure. Apart from denoising, sharpening, cutting and possibly adjusting the white balance, the pictures are not processed on the computer.</div>
![divider_1.png](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
<div class="pull-right">https://images.ecency.com/DQmV2L1Wge2R1f5ASMWxujzZqGL2ABXpLQc4qUo77tdGFbE/000_8977_v1_1_v1.jpg</div>
### <div class="text-center">LICHTKUNSTFOTO</div>
If you like my art visit <a href="http://www.lichtkunstfoto.de" rel="noreferrer nofollow">www.lichtkunstfoto.de</a> for more Light Art Photography and informations about Light Painting. Join me on <a href="https://www.flickr.com/people/lichtkunstfoto/" rel="noreferrer nofollow" >Flickr</a> <a href="https://twitter.com/Lichtkunstfoto" rel="noreferrer nofollow" >Twitter</a>
![divider_1.png](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
![cover.jpg](https://images.ecency.com/DQmPR9RWvQY3pGK9iNfLsHsrjwM6Crr7n1nFw6LMPZWjGoR/cover.jpg)
![divider_1.png](https://images.ecency.com/DQmepvNm3WZbNWaxKyg2uwj8xNpApr7bpBhS5k1A9iqid2v/divider_1.png)
For more great Light Art Photography, Light Painting and inspiration check these light painters: @marlasinger666 @fadetoblack @fastchrisuk @dawnoner @oddballgraphics @martbarras @stepko @rod.evans.visual @yo-hoho @maxpateau @gunnarheilmann @neilru75 @maximepateau @ryuslightworks @lightstabeu @candelart @lacelight
![divider_lp_1.png](https://images.ecency.com/DQmaTsZNUvewiHmEy1uHB82bDauKeNxWeubdNKiVqvxDXEH/divider_lp_1.png)
### <div class="text-center">WE ARE LIGHT PAINTERS</div>
<div class="pull-right">https://images.ecency.com/DQmU5wExVbYvweLWHBtgBodC9a5s99ZV8jVbtkpJ2Cmcnhj/logo_trailer_200.gif</div>
To help and support the LightPainters community here on Hive I would appreciate your delegation of HivePower. Any amount is appreciated. It does not require much to get started, we are happy for any gesture. @lightpainters
How to delegate?
Delegate [50HivePower](https://hivesigner.com/sign/delegateVestingShares?account=thales7&delegatee=lightpainters&vesting_shares=50), [50HP]
Delegate [250HivePower](https://hivesigner.com/sign/delegateVestingShares?account=thales7&delegatee=lightpainters&vesting_shares=250), [250HP]
Delegate [500HivePower](https://hivesigner.com/sign/delegateVestingShares?account=thales7&delegatee=lightpainters&vesting_shares=500), [500HP]
Delegate [1000HivePower](https://hivesigner.com/sign/delegateVestingShares?account=thales7&delegatee=lightpainters&vesting_shares=1000), [1000HP]
All the Hive Power will help to upvote the artist's contribution as part of the LightPainters community." |
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