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RE: On Set With HardFork-Series Star Christopher James Baker by dwarrilow2002

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· @dwarrilow2002 ·
Welcome to the community. I am speaking from a selfish standpoint. Performers make lots of money (sometimes). Having performers join the community will allow us to reward you ... even if it is incrementally. Just today I was thinking about past tv shows - specifically Hogan's Heroes. I believe [Robert Clary](https://en.wikipedia.org/wiki/Robert_Clary) is that sole remaining regular performer. If someone uploaded the videos on dtube ... the earnings can be sent to he or any other survivors. There are many movies and TV shows which people would like to see from the past but are tied up in the vaults ... under the control of people un-associated with the production.
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@angusg · (edited)
It's the Distributors @dwarrilow2002 working to try and control the market.  What Paramount are trying to do with It's a Wonderful Life is exactly what you are describing.  

It's a Wonderful Life's popularity only took off in the 1970's because of the mistake in registration which made it Public Domain so all the TV stations showed it every Christmas because it was free.  

Now Paramount has gone nuts buying the company who owned Copyright of the original short story and declaring they will go to war with anyone who tries to make a the sequel to It's a Wonderful Life.  The producers who were intending the sequel had cast Karolyn Grimes who was one of the child stars in the original in it, and that would have been really cool.  Now they will just effectively shut it down and a role that she could have been remembered for and which would have probably been her last will be taken away by some corporate scumbags who have no respect for culture or art.

These large distributors need to be put in check.  The system supporting them needs to be pulled out from under their feet.  Distribution is the power because they control what can get green lit and not.
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@dwarrilow2002 ·
[Talking about the TPP](https://steemit.com/steemit/@dwarrilow2002/distributed-rewards-systems-to-disrupt-the-entertainment-industry)
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@bakerchristopher ·
Thank you. It's a good point, there's a lot of people and studios that make a lot of money from exploiting the work of others.
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@angusg ·
I'm really glad you've come over to Steemit @bakerchristopher.  I hadn't watched Ozark before but just watched most of the first series and there's a really great part in one of the episodes where the Teacher is trying to get Skylar Gaertner's character to sign a document denouncing drugs, and his speech about how it's not that simple and about the 2008 Bank Collapse only being saved from being catastrophic by the money created from the drug trade is pretty amazing.  I don't support the drug trade but that scene was great.  I unfortunately made the mistake of reading a review (spoiler) so know I know that the "Uncles" get shot I'm so I'm sad to watch further.

Steemit can completely revolutionise the film industry.  I just wrote a proposal on how Steemit could be utilised to give the power to decide what Films get made back to the film-makers so that the Paradigm governing the Green-Lighting of Films can be shifted away from the Distributors and back to the Film-Makers.

I don't want to be rude and link bomb your article. If you have the interest and find it (it's on my profile) I'm sure you will find it interesting.  It's a model that proposes turning the film funding paradigm completely on it's head creating instead a system where Production itself is Distribution.  So just by virtue of the Film-Makers committing to a Film on the public Blockchain the Film then auto-creates itself as a BlockChain funded entity that then allows a community to openly trade it's Frames in an Ebay style open auction to create the funds necessary to make the movie.  The concept could be summed up as the Film becoming it's own ICO and the Frames of the Film being the individual Coin.
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@bakerchristopher ·
Wow, great idea. That's exactly the kind of thing I'm talking about. I'll check out your paper. Thanks man.
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