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Jazz-Matinee – When instrument and musician become one by w74

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· @w74 ·
$6.82
Jazz-Matinee – When instrument and musician become one
# Wenn Instrument und Musiker zur Einheit werden
<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757051946_Stefanovski.jpg)</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757106766_Noten+11.jpg)</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757135688_Jazz+Matinee.jpg)</center>


There was no need to travel far for the invitations to today's Jazz-Matinée, as all the artists come from a region that I have made my home. Nevertheless, one or two national borders had to be crossed, as in 1991 ruthless, nationalistic egotists came to the conclusion that the common house ‘Yugoslavia’ had to be torn down. Each of them insisted on their hut instead, where they could cook their own porridge. Nevertheless, good musicians do not accept national borders. Musicians come together everywhere and do what pleases every ear.

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>  Für die Einladungen zur heutigen Jazz-Matinee bedurfte es keiner weiten Wege, da alle Künstler aus einer Region stammen, die ich zu meiner Heimat gemacht habe. Und dennoch musste die eine oder andere Landesgrenze überquert werden, da 1991 rücksichtslose, nationalistische Egoisten zur der Überzeugung gelangten, das gemeinsame Haus **»Jugoslawien«** müsse abgerissen werden. Stattdessen bestand jeder auf seine eigenständige Hütte, in der der eigene Brei gekocht werden konnte. Doch gute Musiker akzeptieren keine Landesgrenzen. Sie finden überall zusammen und tun das, was jedes Ohr erfreut.

<center>https://www.youtube.com/watch?v=0DCWZZahmQU&&ab_channel=LunariArt</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748758572718_Noten1.png)</center>

# Vlatko Stefanovski – Whether with or without electric power. As long as it's a guitar!

It is challenging to categorise **Macedonia**n guitarist Vlatko Stefanovski into a specific musical style. Originally, it all started with rock “n” roll. He recorded 13 albums with the band **Leb i Sol**, among others, before presenting his first own work called **‘Zodiac**’ together with Bodan Arsovski in 1990. Afterwards, he recorded **‘Cowboys and Indians’ with Goran Bregović**. He composed the **Gypsy Song** for the film **‘Gypsy Magic’**, which became a big hit in the Balkans. Via **Joni Mitchel**l, Stefanovski became increasingly interested in jazz, which ultimately brought him together with **Allan Holdsworth and Jan Akkerman**.

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> Der **mazedonische** Gitarrist Vlatko Stefanovski lässt sich nur schwer einer bestimmten musikalischen Stilrichtung zuordnen. Ursprünglich begann alles mit dem Rock ‚n‘ Roll. Unter anderem nahm er mit der Formation **Leb i So**l 13 Alben auf, bevor er 1990 zusammen mit Bodan Arsovski sein erstes eigenes Werk mit dem Namen **„Zodiac“** vorstellte. Im Anschluss nahm er mit **Goran Bregović** „**Cowboys and Indians“** auf. Für den Film **„Gypsy Magic**“ komponierte er den **Gypsy Song**, der auf dem Balkan zu einem großen Hit wurde. Über **Joni Mitchell** näherte sich Stefanovski immer mehr dem Jazz, was ihn letztlich mit **Allan Holdsworth und Jan Akkerman** zusammen brachte.

<center>https://www.youtube.com/watch?v=M4XDRMkz3ek&&ab_channel=Hojsak%26Novosel</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757499044_Noten+10.jpg)</center>

# Miroslav Tadić – Whether classical, blues or jazz - the guitar is always there

The **Bosnian** guitarist Miroslav Tadić was trained in classical guitar in Yugoslavia and Italy. It was only after his studies at **CalArts in Los Angeles** that he began to explore other musical styles. Incidentally, Tadić still teaches at this American training centre today. The trade magazine **Guitar Playe**r lists him as one of the thirty most radical and individualistic guitarists in the world. It is not without reason that colleagues such as **Jack Bruce, David Torn, Howard Levy and Markus Stockhause**n invite him into their recording studios. Considering their Balkan roots, who can be surprised that Tadić and Stefanovski form a dream duo?
 
Der **bosnische** Gitarrist Miroslav Tadić wurde in Jugoslawien und Italien an der klassischen Gitarre ausgebildet. Erst nach seinem Studium an der **CalArts in Los Angeles** näherte er sich auch anderen musikalischen Stilrichtungen. Übrigens unterrichtet Tadić noch heute an jener amerikanischen Ausbildungsstätte. Das Fachmagazin **Guitar Player** listet ihn unter den dreißig radikalsten und am meisten individualistischen Gitarristen der Welt. Nicht ohne Grund bitten ihn Kollegen wie **Jack Bruce, David Torn, Howard Levy oder Markus Stockhausen** in die Tonstudios. Wen kann es da verwundern, wenn man die Balkanwurzeln bedenkt, dass Tadić und Stefanovski ein Traum-Duo bilden?

<center>https://www.youtube.com/watch?v=kyFwwIHw6nw&&ab_channel=sslavi</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757653705_Noten+1.png)</center>

# Vasko Atanasovski – Whether composing or playing - a boundless dedication

Whether it's the saxophone, the flute or the as yet unmarked sheet of music, there is hardly a more versatile and creative composer and musician than the **Slovenian** Vasko Atanasovski. Jazz, rock, classical or traditional - there is no terrain in which he is not instantly at home. His 13 albums produced to date, all of which have been praised by audiences and critics at home and abroad, are the best proof of this. Whether for dance, puppetry or theatre, whether for choirs, ensembles, orchestras or soloists - Atansovski's compositions are in demand everywhere. The list of collaborations reads like a who's who of the music world. And who should not be missing? Vlatko Stefanovski!

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> Ist es das Saxofon, die Flöte oder das noch unbeschriftete Notenblatt, es gibt kaum einen vielseitigeren und kreativeren Komponisten und Musiker, als der **Slowen**e Vasko Atanasovski. Jazz, Rock, Klassik oder das Traditionelle – kein Terrain, auf dem er sich nicht augenblicklich bestens zurechtfindet. Als bester Beweis dienen seine bislang 13 produzierten Alben, die allesamt vom Publikum und der Kritik im In- und Ausland gelobt wurden. Ob für den Tanz, das Puppenspiel oder das Theater, ob für Chöre, Ensembles, Orchester oder Solisten – Atansovskis Kompositionen sind überall gefragt. Die Liste der Zusammenarbeiten liest sich wie das who is who der Musikwelt. Und wer darf da nicht fehlen? Vlatko Stefanovski!

<center>https://www.youtube.com/watch?v=NJzdXJEPGnk&&ab_channel=DRUSTVOKGOSF</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748757858200_Noten+1.jpg)</center>

# Rade Šerbedžija – The fine -minded man with the distinctive voice

To describe Rade Šerbedžija as a member of the jazz family would be far too bold an endeavour. Rather, I have asked the **Croatian with Slovenian-Macedonian** roots on stage today because he has taken to the microphone on various occasions as a guest of the musicians listed above and (although he is better known as a film and theatre actor) has not cut a bad figure in the process.

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> Rade Šerbedžija als Mitglied der Jazz-Familie zu bezeichnen, wäre ein viel zu gewagtes Unterfangen. Vielmehr habe ich den **Kroaten mit den slowenisch-mazedonischen** Wurzeln heute auf die Bühne gebeten, weil er zu den verschiedensten Anlässen als Gast bei den oben aufgeführten Musikern zum Mikrofon griff und dabei (obwohl eher als Film- und Theaterschauspieler bekannt) keine schlechte Figur abgab.

<center>https://www.youtube.com/watch?v=eWRPvj-Hqu4&&ab_channel=JovanJovanovi%C4%87</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748758123154_Noten+4.png)</center>

# Jazz-Chronik
# **All Jazz-Matinee performances**

[Across Cultures](https://ecency.com/hive-193816/@w74/jazz-matinee-across-cultures-with?referral=w74), [A Cocktail of Variations](https://ecency.com/hive-193816/@w74/jazz-matinee-a-cocktail-of?referral=w74), [Ada Morghe](https://hive.blog/hive-193816/@w74/jazz-matinee-ada-morghe), [Adam Ben Ezra](https://ecency.com/hive-193816/@w74/jazz-matinee-adam-ben-ezra?referral=w74), [Afra Kane](https://hive.blog/hive-193816/@w74/jazz-matinee-afra-kane), [Alfredo Rodriguez](https://hive.blog/hive-193816/@w74/jazz-matinee-alfredo-rodriguez), [Alma Naidu](https://hive.blog/jazz-matinee/@w74/the-jazz-matinee-introduces-alma-naidu), [Alune Wade](https://hive.blog/hive-193816/@w74/alune-wade-a-senegalese-embraces-his-roots), [Andrea Motis](https://hive.blog/hive-193816/@w74/jazz-matinee-andrea-motis), [Athanàgia](https://peakd.com/hive-193816/@w74/jazz-matinee-athanagia), [Balimaya Projekt](https://hive.blog/hive-193816/@w74/jazz-matinee-balimaya-project), [Bai Kamara Jr. & The Voodoo Sniffers](https://hive.blog/hive-193816/@w74/jazz-matinee-bai-kamara-jr-and-the-voodoo-sniffers), [Bebo Best & The Super Lounge Orchestra](https://hive.blog/hive-193816/@w74/jazz-matinee-bebo-best-and-the-super-lounge-orchestra), [Beat Funktion](https://hive.blog/hive-193816/@w74/jazz-matinee-beat-funktion), [Big Bad Voodoo Daddy](https://hive.blog/hive-193816/@w74/big-bad-voodoo-daddy-the-revival-of-big-band-jazz-out-of-the-thirties), [Blue Note Tokyo](https://hive.blog/hive-193816/@w74/a-jazz-matinee-at-the-blue-note-tokyo), [Breakdown Brass](https://hive.blog/hive-193816/@w74/jazz-matinee-breakdown-brass), [Candy Dulfer](https://hive.blog/hive-193816/@w74/jazz-matinee-candy-dulfer), [Carlos Reisch & The Jazz-RAPertoire](https://hive.blog/hive-193816/@w74/carlos-reisch-and-the-jazz-rapertoire), [Christmas-Jazz](https://hive.blog/hive-193816/@w74/christmas-jazz-matinee-jazzrausch-bigband), [Cantal Acda & The Atlantic Trifters](https://hive.blog/jazz-matinee/@w74/jazz-matinee-chantal-acda-and), [Cécile McLorin Salvant](https://hive.blog/hive-matinee-cecile-mclorin-salvant), [Club des Belugas](https://hive.blog/hive-193816/@w74/jazz-matinee-club-des-belugas), [Cory Henry](https://hive.blog/hive-193816/@w74/jazz-matinee-cory-henry), [Damian Lewis](https://hive.blog/hive-193816/@w74/jazz-matinee-damian-lewis), [David Peña Dorantes](https://hive.blog/hive-193816/@w74/jazz-matinee-david-pena-dorantes), [Denver Cuss](https://ecency.com/hive-193816/@w74/jazz-matinee-denver-cuss), [De-Phazz](https://hive.blog/hive-193816/@w74/jazz-matinee-de-phazz), [Debo Band](https://hive.blog/hive-193816/@w74/jazz-matinee-debo-band), [Dieter Ilg & Till Brönner](https://ecency.com/hive-193816/@w74/jazz-matinee-dieter-ilg-and?referral=w74), [Dominic Miller](https://hive.blog/hive-193816/@w74/dominic-miller-the-man-who-guided-sting-into-jazz), [Dominique Fils-Aimé](https://hive.blog/hive-193816/@w74/jazz-matinee-dominique-fils-aime), [Dowdelin](https://ecency.com/hive-193816/@w74/jazz-matinee-dowdelin?referral=w74), [Eartha Kitt](https://hive.blog/hive-193816/@w74/eartha-kitt-the-jazz-catwoman), [Emmet Cohen](https://hive.blog/hive-193816/@w74/jazz-matinee-emmet-cohen), [Erik Truffaz](https://hive.blog/hive-193816/@w74/jazz-matinee-erik-truffaz), [Esther Sévérac](https://hive.blog/hive-193816/@w74/jazz-matinee-esther-severac), [Fat Freddy’s Drop](https://hive.blog/hive-193816/@w74/jazz-matinee-fat-freddy-s), [Fixi & Nicolas Giraud](https://hive.blog/hive-193816/@w74/jazz-matinee-fixi-and-nicolas-giraud), [Footprint Project](https://hive.blog/hive-193816/@w74/jazz-matinee-footprint-project), [From Texas To Albania](https://ecency.com/hive-193816/@w74/jazz-matinee-from-texas-to?referral=w74), [Gare Du Nord](https://hive.blog/hive-193816/@w74/jazz-matinee-gare-du-nord), [Galactic](https://hive.blog/hive-193816/@w74/jazz-matinee-galactic), [Gesangskapelle Hermann](https://ecency.com/hive-193816/@w74/jazz-matinee-gesangskapelle-hermann?referral=w74), [Ghoast-Note](https://hive.blog/hive-193816/@w74/jazz-matinee-ghoast-note), [Goran Bregović & The Wedding and Funeral Orchestra](https://hive.blog/hive-193816/@w74/jazz-matinee-goran-bregovic-and-the-wedding-and-funeral-orchestra), [Gyedu-Blay Ambolley](https://hive.blog/hive-193816/@w74/jazz-matinee-gyedu-blay-ambolley), [Gypsophilia](https://hive.blog/hive-193816/@w74/gypsophilia-the-canadian-gypsy-jazz-virus-with-all-its-unpredictable-variations), [Habib Koité](https://ecency.com/hive-193816/@w74/jazz-matinee-habib-koite?referral=w74), [Hania Rani](https://hive.blog/hive-193816/@w74/jazz-matinee-hania-rani), [Hania Rani 2.](https://hive.blog/hive-193816/@w74/jazz-matinee-hania-rani-63da2d3a62759), [Harold Lopez-Nussa](https://hive.blog/hive-193816/@w74/jazz-matinee-harold-lopez-nussa), [Herbert Pixner Projekt](https://hive.blog/hive-193816/@w74/jazz-matinee-herbert-pixner-projekt), [Ibrahim Maalouf](https://hive.blog/hive-193816/@w74/jazz-matinee-ibrahim-maalouf), [Imperial Tiger Orchestra](https://hive.blog/hive-193816/@w74/imperial-tiger-orchestra-back-to-where-we-all-came-from), [Ina Forsman](https://hive.blog/hive-193816/@w74/jazz-matinee-ina-forsman), [Indra Rios](https://hive.blog/hive-193816/@w74/indra-rios-moore-you-dont-know-her-now-you-will--), [Isaac Birituro and The Rail Abandon](https://hive.blog/hive-193816/@w74/jazz-matinee-isaac-birituro-and-the-rail-abandon), [Iyeoka Ivie Okoawo](https://ecency.com/hive-193816/@w74/jazz-matinee-iyeoka-ivie-okoawo?referral=w74), [Jazz from Germany](https://ecency.com/hive-193816/@w74/jazz-matinee-beginning-from-the?referral=w74), [Jazz meets Pop](https://hive.blog/hive-193816/@w74/the-pop-diva-changes-into), [Jazzkantine](https://hive.blog/jazzmatinee/@w74/jazzkantine), [Jeff Goldblum & The Mildred Snitzer Orchestra](https://hive.blog/hive-193816/@w74/jazz-matinee-jeff-goldblum-and-the-mildred-snitzer-orchestra), [Jembaa Groove](https://hive.blog/hive-193816/@w74/jembaa-groove-the-sound-that-rises-in-the-streets-of-berlin), [Jennifer Hartswick](https://hive.blog/hive-193816/@w74/jazz-matinee-jennifer-hartswick), [Joe Bel](https://hive.blog/hive-193816/@w74/jazz-matinee-joe-bel), [Jowee Omicil](https://hive.blog/hive-193816/@w74/jazz-matinee-jowee-omicil), [Jon Batiste](https://hive.blog/hive-193816/@w74/jazz-matinee-jon-batiste), [Julian Lage](https://hive.blog/hive-193816/@w74/jazz-matinee-julian-lage),[Jule Malischke](https://hive.blog/hive-193816/@w74/jazz-matinee-jule-malischke), [Jungle by Night](https://hive.blog/hive-193816/@w74/jungle-by-night-ethno-jazz-of-its-finest-variety), [Jungle Fire](https://hive.blog/hive-193816/@w74/jazz-matinee-jungle-fire), [Justin Adams & Mauro Durante](https://ecency.com/hive-193816/@w74/jazz-matinee-justin-adams-and?referral=w74), [Karen Souza](https://hive.blog/jazzmatinee/@w74/karen-souza-popular-music-meets-jazz), [Kinga Glyk](https://hive.blog/hive-193816/@w74/kinga-glyk-when-the-bass-guitar-becomes-more-than-a-beat-generator), [Kyle Eastwood](https://hive.blog/hive-193816/@w74/jazz-matinee-kyle-eastwood), [Ladies-Day](https://ecency.com/hive-193816/@w74/jazz-matinee-starting-the-new?referral=w74), [Lady Blackbird](https://hive.blog/hive-193816/@w74/jazz-matinee-lady-blackbird), [Lady Blackbird/Marley Munroe](https://ecency.com/hive-193816/@w74/jazz-matinee-lady-blackbird-81ee62aed9635?referral=w74), [Lars Kutschke](https://hive.blog/jazz-matinee/@w74/lars-kutschke-the-man-who-brings-life-into-the-scene), [Laufey](https://hive.blog/hive-193816/@w74/jazz-matinee-laufey-lin-jonsdottir), [Laura Misch](https://ecency.com/hive-193816/@w74/jazz-matinee-laura-misch?referral=w74), [Laurent Bardainne & Tigre D'Eau Douce](https://hive.blog/hive-193816/@w74/jazz-matinee-laurent-bardainne-and), [Lee Ritenour](https://hive.blog/hive-193816/@w74/lee-ritenour-captain-fingers-on-the-6-string), [Lehmanns Brothers](https://hive.blog/hive-193816/@w74/jazz-matinee-lehmanns-brothers), [Les Égarés - Sissko, Segal, Parisien, Peirani](https://hive.blog/music/@w74/jazz-matinee-sissoko-segal-parisien-peirani), [Les Yeux D'La Tête](https://hive.blog/hive-193816/@w74/jazz-matinee-les-yeux-d), [Lisa Bassenge](https://hive.blog/hive-193816/@w74/jazz-matinee-lisa-bassenge), [Liv Warfield](https://hive.blog/hive-193816/@w74/jazz-matinee-liv-warfield), [Lizz Wright](https://hive.blog/jazz-matinee/@w74/lizz-wright-the-smooth-georgia), [Love Songs](https://hive.blog/hive-193816/@w74/jazz-matinee-songs-for-a-very-special-day), [Luca Sestak-Trio](https://hive.blog/hive-193816/@w74/jazz-matinee-luca-sestak-trio), [Madeleine Peyroux](https://hive.blog/hive-193816/@w74/jazz-matinee-madeleine-peyroux), [Maik Mondial](https://hive.blog/jazz-matinee/@w74/enjoyment-guaranteed-regardless-of-which-direction-its-coming-from), [Malika Tirolien](https://hive.blog/hive-193816/@w74/jazz-matinee-malika-tirolien), [Malted Milk](https://hive.blog/hive-193816/@w74/jazz-matinee-malted-milk), [Marco Mezquida & Chicuelo](https://ecency.com/hive-193816/@w74/jazz-matinee-marco-mezquida-and?referral=w74), [Maria Mazzotta](https://hive.blog/hive-193816/@w74/jazz-matinee-maria-mazzotta), [Martin Grubinger](https://hive.blog/hive-193816/@w74/martin-grubinger-felix-austria), [Maya Fadeeva](https://hive.blog/hive-193816/@w74/jazz-matinee-maya-fadeeva), [Monika-Roscher-Bigband](https://hive.blog/hive-193816/@w74/jazz-matinee-monika-roscher-bigband), [Monkey House](https://hive.blog/hive-193816/@w74/monkey-house-jazz-from-canada-with-a-strong-dash-of-steely-dan), [Mo Kolours](https://hive.blog/hive-193816/@w74/jazz-matinee-mo-kolous), [Muito Kaballa](https://hive.blog/hive-193816/@w74/jazz-matinee-muito-kaballa), [New Cool Collective](https://hive.blog/hive-193816/@w74/jazz-matinee-new-cool-collective), [Nils Petter Molvær](https://hive.blog/hive-193816/@w74/jazz-matinee-nils-petter-molvaer), [Nostalgia 77](https://hive.blog/hive-193816/@w74/jazz-matinee-nostalgia-77), [Nubiyan Twist](https://hive.blog/hive-193816/@w74/jazz-matinee-nubiyan-twist), [Oriental Colours](https://ecency.com/hive-193816/@w74/jazz-matinee-oriental-musical-colours?referral=w74), [Paco de Lucia](https://hive.blog/hive-193816/@w74/paco-de-lucia-bringing-the-flamenco-into-the-jazz), [Peter Lipa](https://hive.blog/hive-193816/@w74/jazz-matinee-peter-lipa), [Paolo Conte](https://hive.blog/hive-193816/@w74/jazz-matinee-paolo-conte-alla), [Parov Stelar](https://hive.blog/hive-193816/@w74/jazz-matinee-pavrov-stelar), [Phat Phunktion](https://hive.blog/hive-193816/@w74/jazz-matinee-phat-phunktion), [Polyrhythmics](https://ecency.com/hive-193816/@w74/jazz-matinee-increasing-the-rhythm?referral=w74), [Quatro Nuevo](https://hive.blog/hive-193816/@w74/jazz-matinee-quatro-nuevo), [Ranky Tanky](https://hive.blog/hive-193816/@w74/jazz-matinee-ranky-tanky), [Rebekka Bakken](https://hive.blog/hive-193816/@w74/jazz-matinee-rebekka-bakken), [Redtenbacher’s Funkestra](https://hive.blog/hive-193816/@w74/jazz-matinee-redtenbachers-funkestra), [Rita Payes Roma](https://hive.blog/hive-193816/@w74/jazz-matinee-rita-payes-roma), [Rocket Men](https://hive.blog/hive-193816/@w74/jazz-matinee-rocket-men), [Roberto Fonseca](https://hive.blog/hive-193816/@w74/jazz-matinee-roberto-alain-fonseca-cortes), [Robin McKelle](https://hive.blog/hive-193816/@w74/jazz-matinee-robin-mckelle), [Rhythm Future Quartet](https://hive.blog/hive-193816/@w74/jazz-matinee-rhythm-future-quartet), [Sarab](https://ecency.com/hive-193816/@w74/jazz-matinee-increasing-the-rhythm?referral=w74), [Sarathy Korwar](https://ecency.com/hive-193816/@w74/jazz-matinee-increasing-the-rhythm?referral=w74), [Seckoz Keita](https://ecency.com/hive-193816/@w74/jazz-matinee-seckou-keita?referral=w74), [Shotnez](https://hive.blog/hive-193816/@w74/jazz-matinee-shotnez), [Ska-Jazz](https://hive.blog/hive-193816/@w74/jazz-matinee-ska-jazz-ever-heard-of-it), [Shake Stew](https://ecency.com/hive-193816/@w74/jazz-matinee-music-delights-straight?referral=w74), [Snarky Puppy](https://hive.blog/hive-193816/@w74/jazz-matinee-snarky-puppy), [Somi Kakoma](https://hive.blog/hive-193816/@w74/jazz-matinee-somi-kakoma), [Stepping across boarders](https://ecency.com/hive-193816/@w74/jazz-matinee-stepping-across-more?referral=w74), [St. Paul Peterson](https://hive.blog/hive-193816/@w74/st-paul-peterson-funk-jazz-at-its-best), [Sunbörn/The KutiMangoes](https://hive.blog/hive-193816/@w74/jazz-matinee-sunborn-the-kutimangoes), [Soothsayers/Youthsayers](https://hive.blog/hive-193816/@w74/jazz-matinee-soothsayers-youthsayers), [TaxiWars](https://hive.blog/hive-193816/@w74/jazz-matinee-taxiwars), [The Bahama Soul Club](https://hive.blog/jazzmatinee/@w74/the-bahama-soul-club), [The Budos Band](https://hive.blog/hive-193816/@w74/jazz-matinee-the-budos-band), [The Crusaders](https://hive.blog/hive-193816/@w74/the-crusaders-ups-and-downs-on-or-off-again), [The Jazz Defenders](https://hive.blog/hive-193816/@w74/jazz-matinee-the-jazz-defenders), [The Jakob Manz Projekt](https://hive.blog/hive-193816/@w74/jazz-matinee-the-jakob-manz-project), [The Jazzrausch Bigband](https://hive.blog/hive-193816/@w74/jazz-matinee-the-jazzrausch-bigband), [The Souljazz Ochestra](https://hive.blog/hive-193816/@w74/the-souljazz-orchestra-a-collective-with-a-message), [Thomas Stieger](https://ecency.com/hive-193816/@w74/jazz-matinee-thomas-stieger?referral=w74), [Trevor Kowalski](https://hive.blog/hive-193816/@w74/jazz-matinee-trevor-kowalski), [Triosence](https://hive.blog/jazz-matinee/@w74/triosence-here-arises-pleasure), [Trombone Shorty](https://hive.blog/hive-193816/@w74/trombone-shorty-the-new-orleans-funky-jazz-child), [True Loves](https://hive.blog/hive-193816/@w74/true-loves-a-jazz-funk), [Tour de France](https://ecency.com/hive-193816/@w74/jazz-matinee-une-tour-de?referral=w74), [Veronica Swift](https://peakd.com/hive-193816/@w74/jazz-matinee-veronica-swift), [Under the roof of Jazz](https://ecency.com/hive-193816/@w74/jazz-matinee-everything-united-under?referral=w74), [Wanubalé](https://hive.blog/hive-193816/@w74/jazz-matinee-wanubalehttps://hive.blog/hive-193816/@w74/jazz-matinee-wanubale), [Worldmusic](https://ecency.com/hive-193816/@w74/jazz-matinee-harmony-jazz-world?referral=w74), [Wynton Marsalis & Eric Clapton](https://hive.blog/hive-193816/@w74/jazz-matinee-wynton-marsalis-and-eric-clapton), [Yael Nachshon Levin](https://ecency.com/hive-193816/@w74/jazz-matinee-yael-nachshon-levin?referral=w74), [Yilian Cañizares](https://hive.blog/hive-193816/@w74/jazz-matinee-yilian-canizares), [06/2024 New Releases](https://hive.blog/hive-193816/@w74/jazz-matinee-before-june-2024), [07/2024 New Releases](https://hive.blog/hive-193816/@w74/jazz-matinee-july-2024), [09/2024 New Offers](https://ecency.com/hive-193816/@w74/jazz-matinee-august-september-2024?referral=w74), [10/2024 Drums in Jazz](https://ecency.com/hive-193816/@w74/jazz-matinee-drums-in-jazz?referral=w74), [12/2024 Jazz meets Classic](https://peakd.com/hive-193816/@w74/jazz-matinee-1-advent-special), [2024 Looking Back](https://peakd.com/hive-193816/@w74/jazz-matinee-looking-back-on), [March 2025](https://ecency.com/hive-193816/@w74/jazz-matinee-before-march-bids?referral=w74), [May 2025](https://ecency.com/hive-193816/@w74/jazz-matinee-may-2025-offers?referral=w74),

<center>https://www.youtube.com/watch?v=yOe6xzxgj8M&&ab_channel=CroatiaRecords</center>

<center>![](https://paper-attachments.dropboxusercontent.com/s_F4746828F1D1C2E458633BAF2E770760CEFFE2E52ED6AEB6CAFE9F609F205A94_1748758292036_Noten+2.jpg)</center>


If you are interested in new releases on the market outside of jazz, I would highly recommend the Saturday post by \[@seckorama\](https://hive.blog/@seckorama), who will always keep you up to date with the latest [New Tunes](#)) !

----------
> Für alle Musikliebhaber, die sich auch abseits des Jazz über Neuerscheinungen auf dem Markt interessieren, kann ich wärmstens die samstägliche Post von [@seckorama](https://hive.blog/@seckorama) empfehlen, der euch mit seinen [New Tunes](#) stets auf dem aktuellen Stand hält!
<center>![](https://paper-attachments.dropboxusercontent.com/s_ADA5CBB7A50D1D10B4117FB77FF60F4D6998C4048106AAEC47535039302860B2_1722745126603_Musik2.png)

![](https://paper-attachments.dropboxusercontent.com/s_ADA5CBB7A50D1D10B4117FB77FF60F4D6998C4048106AAEC47535039302860B2_1722745154197_Musik4.png)</center
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@beerlover ·
<div class='pull-right'>https://files.peakd.com/file/peakd-hive/beerlover/yiuU6bdf-beerlover20gives20BEER.gif<p><sup><a href='https://hive-engine.com/?p=market&t=BEER'>View or trade </a> <code>BEER</code>.</sup></p></div><center><br> <p>Hey @w74, here is a little bit of <code>BEER</code> from @indextrader24 for you. Enjoy it!</p> <p>Learn how to <a href='https://peakd.com/beer/@beerlover/what-is-proof-of-stake-with-beer'>earn <b>FREE BEER</b> each day </a> by staking your <code>BEER</code>.</p> </center><div></div>
properties (22)
authorbeerlover
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@beerlover ·
<div class='pull-right'>https://files.peakd.com/file/peakd-hive/beerlover/yiuU6bdf-beerlover20gives20BEER.gif<p><sup><a href='https://hive-engine.com/?p=market&t=BEER'>View or trade </a> <code>BEER</code>.</sup></p></div><center><br> <p>Hey @w74, here is a little bit of <code>BEER</code> from @indextrader24 for you. Enjoy it!</p> <p>Learn how to <a href='https://peakd.com/beer/@beerlover/what-is-proof-of-stake-with-beer'>earn <b>FREE BEER</b> each day </a> by staking your <code>BEER</code>.</p> </center><div></div>
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@bundeskanzler ·
$0.16
Ich würde Sie gerne zu meinem Besuch ins weiße Haus einladen.

Unsere Demokratie braucht in Washington jede Unterstützung.

TBK.


![3f943128-1427-4423-9245-84089dc79f09.jpeg](https://images.hive.blog/DQmUQ49JTTbjpmGB9WYtVJ5PCLuxrQ1nRQ6jAhmhRY7txK7/3f943128-1427-4423-9245-84089dc79f09.jpeg)
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vote details (1)
@w74 ·
$0.03
Liebend gerne würde ich Sie begleiten, da ich im Hinblick auf die Inquisition vor der versammelten Presse und laufender Kamera der Komödienstadelaufführung »Egomaner Blindgänger trifft Traumwandler im Überzeugungswahn« nicht fernbleiben möchte. Lediglich die sich im Anschluss abzeichnende Fäkalbeseitigung  muss ohne mich stattfinden.
👍  , , , ,
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vote details (5)
@beerlover ·
<div class='pull-right'>https://files.peakd.com/file/peakd-hive/beerlover/yiuU6bdf-beerlover20gives20BEER.gif<p><sup><a href='https://hive-engine.com/?p=market&t=BEER'>View or trade </a> <code>BEER</code>.</sup></p></div><center><br> <p>Hey @w74, here is a little bit of <code>BEER</code> from @indextrader24 for you. Enjoy it!</p> <p>Learn how to <a href='https://peakd.com/beer/@beerlover/what-is-proof-of-stake-with-beer'>earn <b>FREE BEER</b> each day </a> by staking your <code>BEER</code>.</p> </center><div></div>
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@beerlover ·
<div class='pull-right'>https://files.peakd.com/file/peakd-hive/beerlover/yiuU6bdf-beerlover20gives20BEER.gif<p><sup><a href='https://hive-engine.com/?p=market&t=BEER'>View or trade </a> <code>BEER</code>.</sup></p></div><center><br> <p>Hey @w74, here is a little bit of <code>BEER</code> from @indextrader24 for you. Enjoy it!</p> <p>Learn how to <a href='https://peakd.com/beer/@beerlover/what-is-proof-of-stake-with-beer'>earn <b>FREE BEER</b> each day </a> by staking your <code>BEER</code>.</p> </center><div></div>
properties (22)
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@bundeskanzler ·
$0.15
Sehr gut. 

Sehr gut,

ich schlage vor sie kommen Mittwoch Nachmittag ins Kanzleramt und bringen  besten ihre Gattin noch mit.

Es müssten vorher nur noch ein paar Formalitäten geklärt werden. Sie wissen schon, Sicherheitscheck und Einreiseformalitäten usw.

Zur Legitimation zeigen Sie an der Pforte diesem Kommentar in voller Auflösung.


![Gq7dqstW4AE7xJB.jpeg](https://images.hive.blog/DQma45bXWvQpWQzrb8fC41BnWhtMZjC3a7Z4BRqT7dY1bHL/Gq7dqstW4AE7xJB.jpeg)
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vote details (1)
@indextrader24 ·
!invest_vote !LUV !PIZZA !wine !WITZ !LOLZ !Hugh
👍  
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properties (23)
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@indextrader24 ·
!BEER
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@investinthefutur ·
@indextrader24 denkt du hast ein Vote durch @investinthefutur verdient!<br>@indextrader24 thinks you have earned a vote of @investinthefutur !<br>
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@filosof103 ·
$0.12
! BEER
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@goshen ·
$0.10
For me personally, these types of instruments most especially the guitar own, they are the best 
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@indextrader24 ·
!BEER
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@lee1938 ·
$0.10
https://x.com/lee19389/status/1929298518696395185
#hive #posh
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@pretemi ·
$0.10
The wholeness of music is a singer melodious voice and melody from musical instruments 
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@vanje · (edited)
$0.23
Ich werde wohl eine Weile auf deine Beiträge verzichten müssen. Manche Dinge gehen, andere beginnen neu – so wie Leben und Tod im ständigen Wandel stehen.

Was bleibt, ist viel Arbeit, die getan werden muss und viele Stunden, die mich  festhalten.

Es war ein schöner und bereichernder Austausch mit dir.
Bei uns sagt man: „Halt die Ohren steif.“
Danke für alles – bis demnächst, in einem neuen Takt. 🎵🌱
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properties (23)
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vote details (3)
@w74 ·
$0.76
Leben und Tod im ständigen Wandel?
Darüber muss ich ein paar Gedanken in die Überstunden schicken. Auf jeden Fall eine riesige Spielwiese für Interpretationen.
Das anstehende Tohuwabohu im Kopf beiseite schiebend, meldet sich die Hoffnung zu Wort, die bekunden möchte, davon ausgehen zu können, dass es sich bei »der vielen Arbeiten« um einen Zeitvertreib handelt, welcher von Euphorie geprägt ist.
Das mit den steifen Ohren funktioniert bei mir meist nur, während ein heftiger Frost meine Hütte im Beschlag hält. Doch kaum ist die Zipfelmütze über die Lauscher gestülpt, ist es mit der Steifheit passiert.😊
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properties (23)
authorw74
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@vanje ·
$0.21
Tatsächlich meine ich mit "Leben und Tod“ weniger das Philosophische als das ganz Konkrete in der Familie - Geburt und Sterben liegen oft so nah beieinander.
Zurzeit muss ich viel regeln und entscheiden: das Erbe ordnen, den Nachlass sortieren und zugleich den Boden für neues Leben bereiten. So ist meine Arbeit weniger bloßer Zeitvertreib als Teil eines großen Zyklus, in dem das Alte weicht und das Neue wächst. Und irgendwo muss man dafür Zeit abzweigen und Prioritäten setzen - das ist manchmal gar nicht so leicht, aber notwendig, damit das Wesentliche 👩‍👩‍👦 seinen Raum bekommt. 
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