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author | graceapc |
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permlink | los-5-pasos-de-baile-mas-emblematicos-de-michael-jackson-the-5-most-iconic-dance-steps-of-michael-jackson |
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title | "Los 5 pasos de baile más emblemáticos de Michael Jackson / The 5 most iconic dance steps of Michael Jackson" |
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body | "Artista inigualable, el "Rey del Pop" no solo deslumbró al público con su música sino también con sus movimiento. Éstos son los mejores.
Unrivaled artist, the "King of Pop" not only dazzled audiences with his music but also with his movements. These are the best.
https://media.canalnet.tv/2019/06/mjok-974x550.jpg
El 25 de junio de 2009 la triste noticia sobre el fallecimiento de Michael Jackson (50) recorría el mundo. Veinticuatro horas antes, el “Rey del Pop” había ensayado hasta el cansancio porque el 13 de julio debía presentarse en 02 Arena de Londres en el marco de su gira This Is It. Algo que nunca sucedió pues “eso fue todo”.
On June 25, 2009, the sad news about the death of Michael Jackson (50) traveled the world. Twenty-four hours earlier, the "King of Pop" had rehearsed until he was tired because on July 13 he had to perform at 02 Arena in London as part of his This Is It tour. Something that never happened because "that was all."
El eximio -y muy polémico- artista, además de tener habilidad para crear hits únicos y pegadizos, se destacó por sus excéntricos pasos de baile, los que dejaban boquiabierto a miles de millones de personas. Indiscutiblemente, el más chico de los “Jackson 5” fue uno de los mejores bailarines de la historia. Y eso lo demostraba tanto en sus shows en vivo como en sus videoclips. Así puede verse en temas como “Thriller”, “Bad” o “You Rock My World”: latigazos con sus extremidades, movimientos robotizados, y mucha ondulación de pelvis y cadera eran sus sellos personales.
The distinguished -and very controversial- artist, in addition to having the ability to create unique and catchy hits, stood out for his eccentric dance steps, which left billions of people speechless. Unquestionably, the youngest of the "Jackson 5" was one of the best dancers in history. And that was demonstrated both in his live shows and in his video clips. This can be seen in songs like "Thriller", "Bad" or "You Rock My World": whipping with his limbs, robotic movements, and a lot of undulation of the pelvis and hips were his personal hallmarks.
Ágil, atrevido y preciso, Michael inmortalizó sus pasos y estos son los 5 mejores:
Agile, daring and precise, Michael immortalized his steps and these are the 5 best:
1- Moonwalk: ¿Quién no ha intentado alguna vez hacer el “back slide”? No resulta nada fácil por más que lo parezca. Y no, nunca existió una cinta transportadora bajo los pies del músico que lo hiciese mover de un extremo al otro sin despegar talón ni punta del piso. Para sorpresa de todos, Michael no fue el creador de este histórico paso. Con algo “Chaplinezco” (pero no dando zancadas como lo hacía el humorista) y al estilo de Fred Astaire, la “caminata lunar” es un sello personal de Jackson desde enero de 1983 tras su presentación en el aniversario 25° de la productora Motown donde fue invitado junto con sus hermanos. Allí aprovechó la ocasión para hacer su tema solista “Billie Jean”, al cual le sumó el famoso desplazamiento. Lo cierto es que, el entonces pequeño Michael, recreó esa ilusión óptica que originalmente hacía el trío de la década del “50, The Electric Boogaloo, conformado por Casper Candidate, Cooley Jaxson y Jeffrey Daniel.
1- Moonwalk: Who has not ever tried to do the “back slide”? It is not easy at all, no matter how it may seem. And no, there was never a conveyor belt under the feet of the musician that made him move from one extreme to the other without detaching the heel or toe from the floor. To everyone's surprise, Michael was not the creator of this historic step. With something “Chaplinezco” (but not striding like the comedian did) and in the style of Fred Astaire, the “moonwalk” has been a personal hallmark of Jackson since January 1983 after its presentation on the 25th anniversary of the production company Motown where he was invited along with his brothers. There he took the opportunity to make his solo song "Billie Jean", to which he added the famous displacement. The truth is that, the then little Michael, recreated that optical illusion that was originally made by the trio of the 1950s, The Electric Boogaloo, made up of Casper Candidate, Cooley Jaxson and Jeffrey Daniel.
2- Gravedad Cero: Poco tiempo después, en 1987, Michael volvió a sorprender con una nueva hazaña. Fue en el videoclip de “Smooth Criminal” que al artista se lo ve hacer una inclinación de 45 grados hacia adelante con su cuerpo en bloque y, nuevamente, sin despegar sus pies del suelo. En este caso, el truco radica en dos puntos específicos: su calzado especial patentado, que tenía en los tacos unas ranuras en las que enganchaba una especie de clavos, y fuerza corporal, tanto de abdomen y columna como de sus tendones de Aquiles. Esta combinación creaba el efecto de una lenta caída que nunca llegaba a concretarse.
2- Zero Gravity: A short time later, in 1987, Michael surprised again with a new feat. It was in the video clip for “Smooth Criminal” that the artist is seen leaning forward 45 degrees with his body as a block and, again, without taking his feet off the ground. In this case, the trick lies in two specific points: its special patented footwear, which had grooves in the studs in which it hooked a kind of nails, and body strength, both in the abdomen and spine as well as in its Achilles tendons. This combination created the effect of a slow fall that never materialized.
3- Tornado: Los increíbles giros sobre su propio eje que terminaban con una agarrada de entrepierna y sombrero, surgen de la admiración y fascinación que tenía el músico por James Brown y Fred Astaire. Observó y aplicó a sus performances algunos movimientos que se veían en filmes clásicos de Hollywood como en la versión de “El Principito” (1974), donde el protagonista y coreógrafo Bob Fosse se despliega del mismo modo que Jackson. Michael supo adaptarlo y le sumó otros steps como latigazos con sus extremidades y equilibrio en puntas de pié.
3- Tornado: The incredible turns on its own axis that ended with a crotch and hat grab, arise from the admiration and fascination that the musician had for James Brown and Fred Astaire. He observed and applied to his performances some movements that were seen in classic Hollywood films such as in the version of "The Little Prince" (1974), where the protagonist and choreographer Bob Fosse unfolds in the same way as Jackson. Michael knew how to adapt it and added other steps such as whipping with his limbs and balance on his toes.
4- Puntas de pie: Solo Michael Jackson podía terminar un veloz giro con un disruptivo parate en puntas de pie y levantamiento de pelvis. Tal como lo hacen las bailarinas de ballet, el artista llevaba todo su peso hacia sus dedos y sostenía su cuerpo en equilibro con un leve quiebre de piernas. Otro paso que se volvió icónico con el correr de los años.
4- Toes: Only Michael Jackson could finish a fast turn with a disruptive toe stop and pelvic lift. Just as ballet dancers do, the artist shifted all his weight onto his toes and balanced his body with a slight break in his legs. Another step that became iconic over the years.
5- Robot Aunque el cantante parecía moverse como si fuera una marioneta, lo particular de su baile es que era todo lo contrario a la flojera. Su precisión para sostener los pasos, cortos y rápidos como latigazos, los hacía como de forma mecánica. Hacía una ondulaciones contenidas, casi lineales, como si alguien hubiese apretado el botón de “encendido” y la energía recorriese cada parte de su cuerpo.
5- Robot Although the singer seemed to move as if he were a puppet, the particular thing about his dance is that it was the complete opposite of laziness. His precision to sustain the steps, short and fast as lashes, made them as if mechanically. He made a contained ripples, almost linear, as if someone had pressed the "power" button and the energy flowed through every part of his body.
https://www.youtube.com/watch?v=GUbb4gPj0bQ
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